December 29th, 2016
There’s a scene in Henri-Georges Clouzot’s Le Mystère Picasso, a 1956 documentary that shows the artist Pablo Picasso at work. The artist starts with random lines, splashes of color. There seems to be no method in what he’s doing, but soon a few recognizable images emerge — a boat pulling a water skier, a woman in a bathing suit, people at a café. As he paints, the details coalesce, but just as everything seems to come together …[read more at The 21st Century Scop].
December 23rd, 2016
So it’s December 1997. I’m driving north out of Oakland, toward Bigelow Boulevard and downtown Pittsburgh. It’s a gray day, light snow falling. Colored lights trim some of the buildings, and then I see him … (read more at The 21st-Century Scop).
December 18th, 2016
“The art of writing is the art of applying the seat of the pants to the seat of the chair.”
C.S. Lewis gave that advice in 1937, in an article titled, “Breaking in Print.” But it didn’t originate with him. He got it from his mentor Mary Heaton Vorse, who seems to be the source of the oft-repeated advice.
You may have heard that advice in its more condensed form, a terse little maxim attributed to writers as varied as Oliver Stone and Stephen King:
“Writing equals ass in chair.”
As with most maxims, it’s short, simple, memorable, and frequently offered as sound advice to up-and-comers. But I’m here to tell you: It isn’t so…. [Read more at The 21st-Century Scop.]
December 11th, 2016
It’s been a while since I’ve posted here. There’s a good reason for that. I’ve been working.
I’ve always regarded blogging as a leisure activity, fun when there’s time for it, but readily set aside when big projects hit.
Last June, with a new film script sold and an ambitious novel expanding beyond expectations, I realized it was time to focus on fiction. And that’s pretty much where I was until I finished the book early last week. At that point, with the manuscript mailed off and fending for itself, I got out from behind the desk and headed west for some social interaction with the good people involved in the film project.
[Read more at The 21st Century Scop.]