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Nightmare Cinema Premieres at Fantasia

July 13th, 2018

An enthusiastic crowd gathered well in advance of Nightmare Cinema’s premiere. By 9:00 last night, the line already stretched around the block, assuring a full house for a project that producer-director Mick Garris began dreaming up over a decade ago.

Shortly before 10:00, Festival Programmer Tony Timpone took the stage to introduce directors Mick Garris, Alejandro Brugues, Ryuhei Kitamura, and Joe Dante. (David Slade is in the UK working on the upcoming season of Black Mirror.)

Before the film, Joe Dante was honored with the Festival’s Lifetime Achievement Award, a presentation that included a montage of scenes from Joe’s five decades of filmmaking.

After Joe’s acceptance, the lights dimmed, and the 800 seat auditorium filled with animal sounds – mostly mewing – as it the audience members had suddenly transformed into cats. The mewing is a Festival tradition, and I must admit it’s pretty cool.

Then came Nightmare Cinema, the result of a collaborative effort of many producers, directors, writers, actors, and technicians (that’s 13 of us on the red carpet on the left).

I won’t review the film here. I’m too heavily invested in the project to be objective.

Instead, I encourage you to take a look at some of the reviews that have followed in the wake of last night’s premiere.

Here are some highlights:

  • “How Nightmare Cinema comes together is proof of exceptional teamwork and extraordinary planning. Each director brought their experience to the table to create something epic. As with any nightmare, this movie will have you thinking about it right after you watch it.” Read the entire review at Dread Central.
  • “This Way to Egress was truly nightmarish and weird, and of a completely different kind of horror than anything up to this point. This one leaves you unsettled….” Read the entire review at Nerdist.
  • This Way to Egress is perhaps the film’s most psychologically disturbing. It follows a mother of two who is hallucinating — or is she? — that the people she meets are transforming into monsters.” Read the entire review at Entertainment Weekly.

That’s just a sampling. Check them out if you like, and while you do, I’ll be putting together some reflections on how the Nightmare Cinema segment “This Way to Egress compares to the original story “Traumatic Descent.”

Stop back here tomorrow for more updates from the Festival. We’ll save you a place.

Images:

The standing ovation for Joe Dante’s Lifetime Achievement Award. Photo by Joe Dante.

Alejandro Brugues, Mick Garris, Ryuhei Kitamura, and Joe Dante outside the Auditorium des Diplomes de la SGWU. Photo by the 21st-Century Scop. 

Thirteen members of the Nightmare Cinema team on the red carpet following the premiere. Fantasia Film Festival.

Lunch before the premiere (clockwise from lower left) Alejandro Brugues, Kyle Newmaster, Ryuhei Kitamura, Lawrence Connolly, Stephanie Caleb, Mick Garris, Sandra Becerril, Joe Russo, Joe Dante, and G. Brandon Hill. Photo by Sergio Becerril.

Nightmare Cinema Premieres at Fantasia

July 13th, 2018

An enthusiastic crowd gathered well in advance of Nightmare Cinema’s premiere. By 9:00 last night, the line already stretched around the block, assuring a full house for a project that producer-director Mick Garris began dreaming up over a decade ago.

Shortly before 10:00, Festival Programmer Tony Timpone took the stage to introduce directors Mick Garris, Alejandro Brugues, Ryuhei Kitamura, and Joe Dante … [read more at The 21st Century Scop].

It’s Official:
Voices now in eBook from Fantasist Ent.

June 26th, 2018

I’m back home, settling in after KGB and SHU. I wrote my posts on those events more quickly than usual, but they seem to be lucid (to me at least).

Both book-related appearances offered an opportunity to get the word out about Fantasist Enterprises’ new edition of Voices: Tales of Horror, and I’m pleased to report that the digital edition is now available as an eBook bundle (Mobi, ePub, and PDF) direct from the Fantasist website, and as a Kindle edition from Amazon.

The same edition will be available in print later this summer.

Including the complete text of the book’s first printing, the upgraded Voices also features a new foreword by Mick Garris (producer of our forthcoming Nightmare Cinema), a bonus story (complete with new art by World Fantasy Award nominee Jason Zerrillo), and some very cool Easter eggs – all for the price of a pumpkin spice latte (and it’ll last a lot longer).

The eBook bundle, available direct from Fantasist, gives the biggest bang for your buck, and while you’re visiting the site, you might want to check out FE’s other titles, all of which are illustrated and packaged with an eye for graphic design that makes their books unique among genre publishing.

Looking for a recommendation? Check out the urban fantasy anthology Modern Magic, edited by W. H. Horner and featuring stories by Christe M. Callabro, Donna Munro, and Rhonda Mason — all of whom were in attendance at In Your Write Mind. In addition to mind-bending fiction, the book features terrific illustrations by David Seidman — one of my favorite fantasy illustrators. And if that wasn’t enough, the last I checked, FE was offering the book at a 50% discount. A steal!

This post has been my third in as many days. (Whew!) I have no intention of keeping that pace, but I do intend to be back very soon with some previews of the big Nightmare Cinema premiere at next month’s Fantasia Film Festival.

Can’t wait!

Images

The 21st-Century Scop and W. H. Horner at In Your Write Mind. Photo by Christe M. Calabro.

The second-edition of Voices: Tales of Horror. Cover art by Jason Zerrillo. Cover design by W. H. Horner of Fantasist Enterprises.

Modern Magic. Cover art by David Seidman. Cover design by W. H. Horner of Fantasist Enterprises.

Voices: Tales of Horror
New Edition Preview @ Fantastic Fiction

June 17th, 2018

The good people at Fantasist Enterprises are preparing a couple special editions of Voices: Tales of Horror for release this summer, starting with the book’s first-ever digital edition and following it with a second print edition.

Both will feature a new foreword by Mick Garris (Showtime’s Masters of Horror and the upcoming Nightmare Cinema) and a bonus section featuring an additional story that originally appeared as “Human Caverns” in Fear the Abyss (Post-Mortem Press 2013).

Rewritten for its appearance in the second edition of Voices, the story about a strange discovery in the West Virginia woods will appear under its new title, “Siren,” and will be accompanied by an introduction and a new illustration by World Fantasy Award nominee Jason Zerrillo.

Jason did all the illustrations for the original release of Voices, and it’s great having him on board again.

The new digital edition will be available across all platforms (Epub, Nook, Kindle, iBook) in July, but folks attending my reading at KGB (June 20) will be able to pick up vouchers for advance copies of the epub edition (included with the purchase of the book’s first edition).

Hosted by Ellen Datlow and Matthew Kressel, Fantastic Fiction is held at the KGB Bar in the East Village. Readings begin at 7:00 PM. This time I’ll be joined by Mary Robinette Kowal – winner of multiple Hugo Awards and the author of the historical fantasy novel: Ghost Talkers and the forthcoming Lady Astronaut duology. The event is open to the public, and admission is free.

If you can’t make it to NYC but still want to score a voucher for the advance epub of Voices, I’ll be joining Fantasist Enterprises for a special signing at Seton Hill University in Greensburg on June 23. The event will be part of the In Your Write Mind Workshop, a four-day event that runs concurrently with the University’s summer residency for writers of popular fiction.

Looking further ahead, we hope to have both the new print and digital editions available to coincide with my return to Confluence, the long-running Pittsburgh sf convention, on July 28.

And of course, I’ll also be attending the premiere of Nightmare Cinema at the Fantasia Film Festival in Montreal on July 12.

More updates coming soon. It’s going to be an exciting summer.