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Bi-Coastal Weekend: Stories & Nightmares

September 23rd, 2017

Writers do most their traveling at home. It’s inward travel, exploring memory and imagination in the creation of stories that might one day enter the real world as published stuff.

But sometimes the draw of outside events cuts through the reverie, and that’s the way it was last weekend when I had writing-related gigs popping on both coasts: a guest of honor appearance at the Milford Festival on the east … and Son of Monsterpalooza on the west.

Held in the Marriott Burbank Convention Center, Son of Monsterpalooze is an offshoot of Monsterpalooza, an annual event for fans of film, makeup, special effects, collectible toys, art, and (of course) monsters! 

One of the major events at this year’s SoP was the much-anticipated preview of the new horror anthology film Nightmare Cinema. Conceived by Mick Garris and featuring some of the biggest names in horror, the film centers on an aberrant projectionist (played by Micky Rourke) who screens films for the lost souls who come to his theatre.

Nightmare Cinema tells five tales of terror in very distinct, individual styles. Cuban director Alejandro Brugués (Juan of the Dead) writes and directs “The Thing in the Woods”; Japanese auteur Ryuhei Kitamura (Midnight Meat Train) directs “Mashit,” written by Mexican author and filmmaker Sandra Becerril; Joe Dante (Gremlins and The Howling) directs “Mirari,” written by Richard Christian Matheson; Mick Garris (Masters of Horror and The Stand) writes and directs “Dead”;  and Brit David Slade (Hannibal and 30 Days of Night) directs “This Way to Egress,” which is based on my short story “Traumatic Descent” and filmed from a script co-written by David and me. What a team!

The photo above was taken last year at an L.A. reception for the film’s writers and directors. Look closely and you’ll see that Richard Christian Matheson is hiding behind Alejandro Brugués. He’s there but not there, which is sort of the way I attended last weekend’s Nightmare Cinema preview, there in spirit while the rest of me took part in the science-fiction track of the Milford Readers and Writers Festival.

Milford’s main events centered on live performances, including a Saturday night readings hosted by Christine Cohen and Will Reeve of the Virginia Kidd Agency.

Held on the second floor of the Dimmick Inn, the sf readings featured Shirley Jackson Award finalist Robert Levy (The Glittering World), Nebula-Award finalist Paul Witcover (Tumbling After), two-time Hugo Award Winner John Grant (The Encyclopedia of Fantasy), and the 21st-Century Scop himself. The event was well attended, which you can see in the photo of Robert Levy. (That framed picture beside him is actually a mirror reflecting the event’s SRO audience.)

After the reading, I joined Will Reeve on the balcony for an impromptu jam session. After that, all that remained was the grand finale — a science fiction panel at The Milford Theatre (see photo at the top of this post).

A heartfelt thanks to all who came out to make the event memorable, and especially to Lillian Longendorfer, who put the science-fiction-and-fantasy track together. I’m ready to do it again.

So that’s the broad strokes. In the days ahead, I try posting more on the forthcoming film and the Milford Festival events. Until then … scop on!

Images:

  • Gordon Van Gelder, Paul Witcover, the 21st-Century Scop, John Grant, and Robert Levy on stage at the Milford Theatre.
  • Joe Dante, Mick Garris, and Alejandro Brugués on stage at Son of Monsterpalooza.
  • Mick Garris, Joe Dante, Sandra Becerril, The 21st-Century Scop, Richard Christian Matheson (hiding), Alejandro Brugués, and Ryuhei Kitamura gather in L.A. to celebrate the green-lighting of Nightmare Cinema, December 2016. 
  • Christine Cohen and Will Reeve hold signs for the Science Fiction and Fantasy readings at the historic Dimmick Inn.
  • Robert Levy reading at the Dimmick.
  • The 21st-Century Scop and Will Reeve jam on the Dimmick balcony.
  • Title image from the Nightmare Cinema teaser.

Looking Ahead:
This Weekend at the Milford Festival

September 12th, 2017

Sixty-four years ago, science fiction writers Virginia Kidd and James Blish moved to Milford, PA, into a home that they called Arrowhead. It was there that Virginia Kidd founded the first literary agency devoted to the sf genre and where James Blish and colleagues such as Damon Knight and Kate Wilhelm wrote stories that helped define modern sf.

Given Arrowhead’s proximity (less than a six-hour drive from my home) and the fact that that The Kidd Agency has been representing me for the past 17 years, I’m surprised I’ve yet to make a pilgrimage to Milford.

This weekend, that’s going to change.

Thanks to a generous invitation by the organizers of the science-fiction track of the Milford Readers and Writers Festival, I’ll be kicking off this weekend by attending a private reception at Arrowhead on Friday afternoon. After that, I’m scheduled to take part in reading, storytelling, and panel events that will culminate with a science fiction panel hosted by Gordon Van Gelder in the Milford Theatre on Sunday.

You can get an overview of the entire event at my previous posts here and here, and I anticipate having a full recap of the event posted at this site sometime next week. For now, heane’s a overview of where I’ll be and what I’ll be doing while there.

Friday

Saturday

Sunday

If you love science fiction and you’re anywhere in the New York Metro Area this weekend, I’ll hope to see you at the Milford Festival. Until then … scop on!

Images:
Arrowhead, Long Ago. vk-agency.com.
Milford Theatre Marquee.

Big Things Cooking in September:
Milford Writers & Son of Monsterpalooza

September 8th, 2017

Big things are brewing this month, with the Milford Readers and Writers Festival on the east coast and Son of Monsterpalooze on the west – both on the same weekend (September 15-17) and 3,000 miles apart.

Makes me wish I had a teleporter.

Nevertheless, despite the distance and the impossibility of two places at once, I’m eagerly looking forward to both.

As science-fiction guest of honor at the Milford Festival, I’ll be taking part a program that will include a marathon screening of the original five seasons of The Twilight Zone, fiction readings at the historic Dimmick Inn on September 16, and a panel discussion at the Milford Theater on September 17. Among the other writers featured at these events will be Paul Witchover, Robert Levy, John Grant, and Gordon Van Gelder. Good company, indeed.

Paul Witcover is the author of five novels, most recently The Watchman of Eternity and a collection of short stories. He has been a finalist for the Nebula, World Fantasy, Shirley Jackson and Locus Awards.

Robert Levy’s  novel The Glittering World was a finalist for both the Lambda Literary Award and the Shirley Jackson Award.  His shorter work has recently appeared in Black Static, Shadows & Tall Trees, Wild Stories:  The Year’s Best Gay Speculative Fiction and The Best Horror of the Year.

John Grant is the author of about seventy books, including twenty fiction novels and non-fiction books that include the highly successful Discarded Science, Corrupted Science and others. He has won the Hugo Award twice, the World Fantasy Award and various other international literary awards.

Gordon Van Gelder is the publisher of The Magazine of Fantasy & Science Fiction, the long-running publication that first brought us such sf classics as Stephen King’s Dark Tower, Daniel Keyes’s Flowers for Algernon, Walter M. Miller’s A Canticle for Leibowitz, and Robert H. Heinlein’s serial “Starship Soldier” (which later became the novel Starship Troopers). It is the magazine that first introduced me to the genre when I was in my early teens, and it remains the one publication that I read cover to cover the moment it arrives. Gordon also served for many years as the editor of F&SF, and during that time I had the pleasure of working with him on a number of stories that appeared there between 2001 and 2013.

The Milford Festival’s science-fiction track is being organized by Lillian Longendorfer, whose first novel The Quad Consortium and the Sword of Bale was published in 2015.

And while those sf writers are gathering on on the East Coast, Mick Garris and friends will be holding a special preview event at Son of Monsterpalooza at the Burbank Marriott Convention Center in California. The weekend event will feature dozens of celebrity guests from the worlds of horror, science fiction, and fantasy, with a featured event taking place on September 17, when a panel presentation will be lifting the veil of secrecy on Nightmare Cinema, our new anthology horror film that will be coming to theaters next year!

Joining Mick at the event will be directors  Joe Dante (Gremlins), Alejandro Brugues (Juan of the Dead), and David Slade (30 Days of Night). I hear that Ryuhei Kitamura (Midnight Meat Train), who is also involved in the project, has another commitment for the weekend and will not be attending. Nevertheless, he’ll be there in spirit, as will I.

So mark your calendar for a bicoastal weekend of science fiction, fantasy, and horror … and be sure to stop back here for more updates in the days ahead. It’s going to be an exciting month.

 

Writer at Work: Trusting the Process

December 29th, 2016

There’s a scene in Henri-Georges Clouzot’s Le Mystère Picasso, a 1956 documentary that shows the artist Pablo Picasso at work. The artist starts with random lines, splashes of color. There seems to be no method in what he’s doing, but soon a few recognizable images emerge — a boat pulling a water skier, a woman in a bathing suit, people at a café. As he paints, the details coalesce, but just as everything seems to come together, something goes wrong.

The artist seems to lose control of the work. The painting changes, grows darker, loses continuity. Finally, the master stops, assesses his progress, and says:  “This is going badly, very badly, very very badly.”

“Whoa! … That CAN’T be right!”

There’s something therapeutic in that comment. It’s reassuring to know that even the masters stumble, or — as critic James Wood tells us in his sometimes abstruse, often insightful book How Fiction Works: “It’s useful to watch good writers make mistakes.” Both Picasso and Wood remind us that the creative process isn’t linear. It’s rife with experiments, setbacks, and dead ends that often force us to reevaluate and possibly scrap work that has taken hours, days, or longer to complete.

When that happens, consider doing what Picasso does next.

After reassessing the work, he says, “Now that I know where I’m going, I’ll get a new canvas and start over.” And so he does. And this time, his artistic vision clarified from hours of experimentation, he completes the painting.

This week, as I lay down the first exploratory lines of what I hope will become a new writing project, I find myself reflecting on Picasso’s approach. It’s useful to remind ourselves that art requires exploration, and exploration takes time and an ability to step away, reassess, and learn.

Sounds like a good resolution for the new year.

Images:

Picasso. Henri-Georges Clouzot’s Le Mystère Picasso, 1956.
Spider Cartoon. Gary Larson. The Far Side.
Trailer for Le Mystère Picasso.