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Nightmare Cinema Premieres at Fantasia

July 13th, 2018

An enthusiastic crowd gathered well in advance of Nightmare Cinema’s premiere. By 9:00 last night, the line already stretched around the block, assuring a full house for a project that producer-director Mick Garris began dreaming up over a decade ago.

Shortly before 10:00, Festival Programmer Tony Timpone took the stage to introduce directors Mick Garris, Alejandro Brugues, Ryuhei Kitamura, and Joe Dante. (David Slade is in the UK working on the upcoming season of Black Mirror.)

Before the film, Joe Dante was honored with the Festival’s Lifetime Achievement Award, a presentation that included a montage of scenes from Joe’s five decades of filmmaking.

After Joe’s acceptance, the lights dimmed, and the 800 seat auditorium filled with animal sounds – mostly mewing – as it the audience members had suddenly transformed into cats. The mewing is a Festival tradition, and I must admit it’s pretty cool.

Then came Nightmare Cinema, the result of a collaborative effort of many producers, directors, writers, actors, and technicians (that’s 13 of us on the red carpet on the left).

I won’t review the film here. I’m too heavily invested in the project to be objective.

Instead, I encourage you to take a look at some of the reviews that have followed in the wake of last night’s premiere.

Here are some highlights:

  • “How Nightmare Cinema comes together is proof of exceptional teamwork and extraordinary planning. Each director brought their experience to the table to create something epic. As with any nightmare, this movie will have you thinking about it right after you watch it.” Read the entire review at Dread Central.
  • “This Way to Egress was truly nightmarish and weird, and of a completely different kind of horror than anything up to this point. This one leaves you unsettled….” Read the entire review at Nerdist.
  • This Way to Egress is perhaps the film’s most psychologically disturbing. It follows a mother of two who is hallucinating — or is she? — that the people she meets are transforming into monsters.” Read the entire review at Entertainment Weekly.

That’s just a sampling. Check them out if you like, and while you do, I’ll be putting together some reflections on how the Nightmare Cinema segment “This Way to Egress compares to the original story “Traumatic Descent.”

Stop back here tomorrow for more updates from the Festival. We’ll save you a place.

Images:

The standing ovation for Joe Dante’s Lifetime Achievement Award. Photo by Joe Dante.

Alejandro Brugues, Mick Garris, Ryuhei Kitamura, and Joe Dante outside the Auditorium des Diplomes de la SGWU. Photo by the 21st-Century Scop. 

Thirteen members of the Nightmare Cinema team on the red carpet following the premiere. Fantasia Film Festival.

Lunch before the premiere (clockwise from lower left) Alejandro Brugues, Kyle Newmaster, Ryuhei Kitamura, Lawrence Connolly, Stephanie Caleb, Mick Garris, Sandra Becerril, Joe Russo, Joe Dante, and G. Brandon Hill. Photo by Sergio Becerril.

Nightmare Cinema Premieres at Fantasia

July 13th, 2018

An enthusiastic crowd gathered well in advance of Nightmare Cinema’s premiere. By 9:00 last night, the line already stretched around the block, assuring a full house for a project that producer-director Mick Garris began dreaming up over a decade ago.

Shortly before 10:00, Festival Programmer Tony Timpone took the stage to introduce directors Mick Garris, Alejandro Brugues, Ryuhei Kitamura, and Joe Dante … [read more at The 21st Century Scop].

It’s Official:
Voices now in eBook from Fantasist Ent.

June 26th, 2018

I’m back home, settling in after KGB and SHU. I wrote my posts on those events more quickly than usual, but they seem to be lucid (to me at least).

Both book-related appearances offered an opportunity to get the word out about Fantasist Enterprises’ new edition of Voices: Tales of Horror, and I’m pleased to report that the digital edition is now available as an eBook bundle (Mobi, ePub, and PDF) direct from the Fantasist website, and as a Kindle edition from Amazon.

The same edition will be available in print later this summer.

Including the complete text of the book’s first printing, the upgraded Voices also features a new foreword by Mick Garris (producer of our forthcoming Nightmare Cinema), a bonus story (complete with new art by World Fantasy Award nominee Jason Zerrillo), and some very cool Easter eggs – all for the price of a pumpkin spice latte (and it’ll last a lot longer).

The eBook bundle, available direct from Fantasist, gives the biggest bang for your buck, and while you’re visiting the site, you might want to check out FE’s other titles, all of which are illustrated and packaged with an eye for graphic design that makes their books unique among genre publishing.

Looking for a recommendation? Check out the urban fantasy anthology Modern Magic, edited by W. H. Horner and featuring stories by Christe M. Callabro, Donna Munro, and Rhonda Mason — all of whom were in attendance at In Your Write Mind. In addition to mind-bending fiction, the book features terrific illustrations by David Seidman — one of my favorite fantasy illustrators. And if that wasn’t enough, the last I checked, FE was offering the book at a 50% discount. A steal!

This post has been my third in as many days. (Whew!) I have no intention of keeping that pace, but I do intend to be back very soon with some previews of the big Nightmare Cinema premiere at next month’s Fantasia Film Festival.

Can’t wait!

Images

The 21st-Century Scop and W. H. Horner at In Your Write Mind. Photo by Christe M. Calabro.

The second-edition of Voices: Tales of Horror. Cover art by Jason Zerrillo. Cover design by W. H. Horner of Fantasist Enterprises.

Modern Magic. Cover art by David Seidman. Cover design by W. H. Horner of Fantasist Enterprises.

Genre is a State of Mind:
Books and Authors @ In Your Write Mind

June 25th, 2018

The genre stars came out on Saturday night for the latest installment of the In Your Write Mind book event – a massive gathering of science fiction, horror, fantasy, mystery, romance, and YA writers that’s held each June at Seton Hill University.

This was my first time back at IYWM in four years. June is always such a busy month. But this year provided a chance to swing through Greensburg on my return from Fantastic Fiction at KGB … and I’m glad I did.

Held in Seton Hill’s new Performing Arts Center, the event featured over 35 genre writers and hundreds of titles. It also gave students in SHU’s graduate writing program the opportunity to mingle with alums, residency writers, publishers, and other genre professionals.

Among the publishers were John Edward Lawson and Jennifer Barnes (left) of Raw Dog Screaming Press and Dog Star Books. Now in their fifteenth year of publishing, Jennifer and John have been taking part in IYWM events since their inception. As in past years, they were joined at the event by many of their writers, including Michael A. Arnzen – the four-time Stoker Award winner who was instrumental in starting the Writing Popular Fiction program at SHU.

Also present with a long list of titles was William H. Horner (right) of Fantasist Enterprises. Now in their sixteenth year, FE is known for books that combine the work of genre writers and graphic artists to create anthologies, collections, and novels with a focus on strong writing and dynamic design. After taking a hiatus on new titles in 2014 (which allowed Will time to focus on teaching and conducting workshops), FE has returned with a new edition of my collection Voices: Tales of Horror (one of five titles that I worked on with them) and plans for some exciting web-based content in the months ahead.

Among the writers present at the event were Albert Wendland, who was signing advance copies of his forthcoming science fiction novel In a Suspect Universe; and Scott A. Johnson, who arrived with his fresh-off-the-presses horror novel Shy Grove: A Ghost Story.

Indicative of the diversity of authors and books featured at IYWM were Priscilla Oliveras (romance) and Genevieve Iseult Eldredge (fantasy) with their contrasting red and black displays.

Priscilla and Genevieve are among the many graduates of SHU’s Writing Popular Fiction program who returned to Greensburg to take part in IYWM.

In all, this year’s book event was the perfect place for genre writers and readers to gather on a summer evening.

Special thanks go out to Deanna Sjolander, who successfully wrangled the participating authors and publishers and made it all look easy. That’s Deanna in the photo to the right, purchasing a book from Dog Star author J. L. Gribble. Deanna is currently working on programming for the upcoming World Fantasy Convention in Baltimore, and her involvement has me thinking seriously about registering for the con before it fills up.

There’s more, of course. I’ve barely scratched the surface. If you attended IYWM and feel like adding to this recap, please feel free to post a comment. It’s always good hearing from people who visit this site, and getting feedback on particular stories helps gauge the kind of posts that best connect with readers.

I hope to be posting again soon with some previews of the rapidly approaching Fantasia Film Festival and the premiere of Nightmare Cinema. Until next time … scop on!

Images

  • In Your Write Mind banner from the organization’s Facebook Page.
  • John Edward Lawson and Jennifer Barnes of Raw Dog Screaming Press and Dog Star Books.
  • William H. Horner of Fantasist Enterprises.
  • Priscilla Oliveras (romance) and Genevieve Iseult Eldredge (fantasy) with their displays.
  • Writer wrangler and author Deanna Sjolander with J. L. Gribble.
  • Michael A. Arnzen and the 21st-Century Scop hanging out at the Fantasist display.
  • All photos (with the exception of the IYWM banner) copyright © 2018 bt The 21st-Century Scop.