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Nightmare Cinema Premieres at Fantasia

An enthusiastic crowd gathered well in advance of Nightmare Cinema’s premiere. By 9:00 last night, the line already stretched around the block, assuring a full house for a project that producer-director Mick Garris began dreaming up over a decade ago.

Shortly before 10:00, Festival Programmer Tony Timpone took the stage to introduce directors Mick Garris, Alejandro Brugues, Ryuhei Kitamura, and Joe Dante. (David Slade is in the UK working on the upcoming season of Black Mirror.)

Before the film, Joe Dante was honored with the Festival’s Lifetime Achievement Award, a presentation that included a montage of scenes from Joe’s five decades of filmmaking.

After Joe’s acceptance, the lights dimmed, and the 800 seat auditorium filled with animal sounds – mostly mewing – as it the audience members had suddenly transformed into cats. The mewing is a Festival tradition, and I must admit it’s pretty cool.

Then came Nightmare Cinema, the result of a collaborative effort of many producers, directors, writers, actors, and technicians (that’s 13 of us on the red carpet on the left).

I won’t review the film here. I’m too heavily invested in the project to be objective.

Instead, I encourage you to take a look at some of the reviews that have followed in the wake of last night’s premiere.

Here are some highlights:

  • “How Nightmare Cinema comes together is proof of exceptional teamwork and extraordinary planning. Each director brought their experience to the table to create something epic. As with any nightmare, this movie will have you thinking about it right after you watch it.” Read the entire review at Dread Central.
  • “This Way to Egress was truly nightmarish and weird, and of a completely different kind of horror than anything up to this point. This one leaves you unsettled….” Read the entire review at Nerdist.
  • This Way to Egress is perhaps the film’s most psychologically disturbing. It follows a mother of two who is hallucinating — or is she? — that the people she meets are transforming into monsters.” Read the entire review at Entertainment Weekly.

That’s just a sampling. Check them out if you like, and while you do, I’ll be putting together some reflections on how the Nightmare Cinema segment “This Way to Egress compares to the original story “Traumatic Descent.”

Stop back here tomorrow for more updates from the Festival. We’ll save you a place.

Images:

The standing ovation for Joe Dante’s Lifetime Achievement Award. Photo by Joe Dante.

Alejandro Brugues, Mick Garris, Ryuhei Kitamura, and Joe Dante outside the Auditorium des Diplomes de la SGWU. Photo by the 21st-Century Scop. 

Thirteen members of the Nightmare Cinema team on the red carpet following the premiere. Fantasia Film Festival.

Lunch before the premiere (clockwise from lower left) Alejandro Brugues, Kyle Newmaster, Ryuhei Kitamura, Lawrence Connolly, Stephanie Caleb, Mick Garris, Sandra Becerril, Joe Russo, Joe Dante, and G. Brandon Hill. Photo by Sergio Becerril.


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  1. Congratulations Lawrence on the success of your creation – your retelling of Mary’s unusual life and your new and fresh…