{"id":10785,"date":"2017-09-23T11:36:43","date_gmt":"2017-09-23T15:36:43","guid":{"rendered":"https:\/\/lawrencecconnolly.com\/archive\/?p=10785"},"modified":"2023-07-07T22:43:30","modified_gmt":"2023-07-08T02:43:30","slug":"bi-coastal-weekend-stories-nightmares","status":"publish","type":"post","link":"https:\/\/lawrencecconnolly.com\/archive\/2017\/09\/23\/bi-coastal-weekend-stories-nightmares\/","title":{"rendered":"Bi-Coastal Weekend:<\/i> Stories & Nightmares"},"content":{"rendered":"

\"\"Writers do most their\u00a0traveling at home. It’s inward travel, exploring memory and imagination in the creation of stories that might one day enter the real world as published stuff.<\/p>\n

But sometimes the draw of outside events cuts through the reverie, and that’s the way it was last weekend when I had writing-related gigs popping on both coasts: a guest of honor appearance at the Milford Festival<\/a> on the east … and Son of Monsterpalooza<\/a> on the west.<\/p>\n

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Held in the Marriott Burbank Convention Center, Son of Monsterpalooze is an offshoot of\u00a0Monsterpalooza<\/a>, an annual event for fans of film, makeup, special effects, collectible toys, art, and (of course) monsters!\u00a0<\/span><\/p>\n

One of the major events at this year’s SoP was the much-anticipated preview of the new horror anthology film\u00a0Nightmare Cinema<\/em>. Conceived by Mick Garris<\/a> and featuring some of the biggest names in horror, the film centers on an aberrant\u00a0projectionist (played by Micky Rourke<\/a>) who screens films for the lost souls who come to his theatre.<\/p>\n

\"\"Nightmare Cinema<\/em> tells five tales of terror in very distinct, individual styles. Cuban director Alejandro Brugu\u00e9s<\/a> (Juan of the Dead<\/em>) writes and directs “The Thing in the Woods”; Japanese auteur Ryuhei Kitamura<\/a> (Midnight Meat Train<\/em><\/a>) directs “Mashit,” written by Mexican author and filmmaker Sandra Becerril<\/a>; Joe Dante<\/a> (Gremlins<\/em> <\/a>and The Howling<\/em><\/a>) directs “Mirari,” written by Richard Christian Matheson<\/a>; Mick Garris<\/a> (Masters of Horror<\/em><\/a> and The Stand<\/em><\/a>) writes and directs “Dead”;<\/em>\u00a0 and\u00a0Brit David Slade<\/a> (Hannibal<\/em> <\/a>and 30 Days of Night<\/em><\/a>) directs “This Way to Egress,” which is based on my short story “Traumatic Descent” and filmed from a script co-written by David and me. What a team!<\/p>\n

\"\"The photo above was taken last year at an L.A. reception for the film’s writers and directors. Look closely and you’ll see that Richard Christian Matheson is hiding behind\u00a0Alejandro Brugu\u00e9s. He’s there but not there, which is sort of the way I attended last weekend’s\u00a0Nightmare Cinema<\/em> preview, there in spirit while the rest of me took part in the science-fiction track of the Milford Readers and Writers Festival.<\/p>\n

Milford’s main events centered on live\u00a0performances, including a Saturday night readings hosted by Christine Cohen and Will Reeve of the Virginia Kidd Agency<\/a>.<\/p>\n

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Held on the second floor of the Dimmick Inn, the sf readings featured Shirley Jackson Award finalist Robert Levy <\/a>(The Glittering World<\/em><\/a>), Nebula-Award finalist Paul Witcover<\/a> (Tumbling After<\/em><\/a>), two-time Hugo Award Winner John Grant<\/a> (The Encyclopedia of Fantasy<\/em><\/a>), and the 21st-Century Scop himself. The event was well attended, which you can see in the photo of Robert Levy. (That framed picture beside him is actually a mirror reflecting the event’s SRO audience.)<\/p>\n

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After the reading, I joined Will Reeve on the balcony for an impromptu jam session. After that, all that remained was the grand finale — a science fiction panel at The Milford Theatre (see photo at the top of this post).<\/p>\n

A heartfelt thanks to all who came out to make the event memorable, and especially to Lillian Longendorfer<\/a>, who put the science-fiction-and-fantasy track together. I’m ready to do it again.<\/p>\n

So that’s the broad strokes. In the days ahead, I try posting more on the forthcoming film and the Milford Festival events. Until then … scop on!<\/p>\n

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Images:<\/strong><\/span><\/p>\n