{"id":12423,"date":"2018-07-13T16:35:03","date_gmt":"2018-07-13T20:35:03","guid":{"rendered":"https:\/\/lawrencecconnolly.com\/archive\/?p=12423"},"modified":"2023-07-07T22:43:29","modified_gmt":"2023-07-08T02:43:29","slug":"nightmare-cinema-premieres-at-fantasia","status":"publish","type":"post","link":"https:\/\/lawrencecconnolly.com\/archive\/2018\/07\/13\/nightmare-cinema-premieres-at-fantasia\/","title":{"rendered":"<i>Nightmare Cinema<\/i> Premieres at Fantasia"},"content":{"rendered":"<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-12372\" src=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/Dante-eye-view-of-ovation-2-300x236.jpg\" alt=\"\" width=\"319\" height=\"251\" srcset=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/Dante-eye-view-of-ovation-2-300x236.jpg 300w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/Dante-eye-view-of-ovation-2-768x605.jpg 768w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/Dante-eye-view-of-ovation-2-1024x806.jpg 1024w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/Dante-eye-view-of-ovation-2.jpg 1765w\" sizes=\"auto, (max-width: 319px) 100vw, 319px\" \/>An enthusiastic crowd gathered well in advance of <em>Nightmare Cinema<\/em>\u2019s premiere. By 9:00 last night, the line already stretched around the block, assuring a full house for a project that producer-director Mick Garris began dreaming up over a decade ago.<\/p>\n<p style=\"text-align: left;\">Shortly before 10:00, Festival Programmer Tony Timpone took the stage to introduce directors Mick Garris, Alejandro Brugues, Ryuhei Kitamura, and Joe Dante. (David Slade is in the UK working on the upcoming season of <em>Black Mirror<\/em>.)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-12367\" src=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/Directors-in-front-of-theatre-2-300x206.jpg\" alt=\"\" width=\"284\" height=\"195\" srcset=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/Directors-in-front-of-theatre-2-300x206.jpg 300w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/Directors-in-front-of-theatre-2.jpg 509w\" sizes=\"auto, (max-width: 284px) 100vw, 284px\" \/><\/p>\n<p style=\"text-align: left;\">Before the film, Joe Dante was honored with the Festival\u2019s Lifetime Achievement Award, a presentation that included a montage of scenes from Joe\u2019s five decades of filmmaking.<\/p>\n<p style=\"text-align: left;\">After Joe\u2019s acceptance, the lights dimmed, and the 800 seat auditorium filled with animal sounds \u2013 mostly mewing \u2013 as it the audience members had suddenly transformed into cats. The mewing is a Festival tradition, and I must admit it\u2019s pretty cool.<\/p>\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-12385\" src=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/The-NC-team-on-the-red-carpet-300x225.jpg\" alt=\"\" width=\"267\" height=\"201\" srcset=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/The-NC-team-on-the-red-carpet-300x225.jpg 300w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/The-NC-team-on-the-red-carpet-768x576.jpg 768w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/The-NC-team-on-the-red-carpet.jpg 960w\" sizes=\"auto, (max-width: 267px) 100vw, 267px\" \/>Then came <em>Nightmare Cinema<\/em>, the result of a collaborative effort of many producers, directors, writers, actors, and technicians (that&#8217;s 13 of us on the red carpet on the left).<\/p>\n<p style=\"text-align: left;\">I won\u2019t review the film here. I&#8217;m too heavily\u00a0invested in the project to\u00a0be objective.<\/p>\n<p style=\"text-align: left;\">Instead, I encourage you to take a look at some of the reviews that have followed in the wake of last night\u2019s premiere.<\/p>\n<p style=\"text-align: left;\">Here are some highlights:<\/p>\n<ul>\n<li style=\"text-align: left;\">\u201cHow <em>Nightmare Cinema<\/em> comes together is proof of exceptional teamwork and extraordinary planning. Each director brought their experience to the table to create something epic. As with any nightmare, this movie will have you thinking about it right after you watch it.\u201d Read the entire review at <a href=\"https:\/\/www.dreadcentral.com\/reviews\/278312\/fantasia-2018-nightmare-cinema-review-nonstop-nightmares\/\">Dread Central<\/a>.<\/li>\n<li style=\"text-align: left;\"><em>\u201cThis Way to Egress<\/em> was truly nightmarish and weird, and of a completely different kind of horror than anything up to this point. This one leaves you unsettled&#8230;.\u201d Read the entire review at\u00a0<a href=\"https:\/\/nerdist.com\/nightmare-cinema-fantasia-fest-review\/\">Nerdist<\/a>.<\/li>\n<li style=\"text-align: left;\">\u201c<em>This Way to Egress<\/em> is perhaps the film\u2019s most psychologically disturbing. It follows a mother of two who is hallucinating \u2014 or is she? \u2014 that the people she meets are transforming into monsters.\u201d Read the entire review at <a href=\"http:\/\/ew.com\/movies\/2018\/07\/10\/nightmare-cinema-mick-garris-fantasia\/\">Entertainment Weekly<\/a>.<\/li>\n<\/ul>\n<p style=\"text-align: left;\">That\u2019s just a sampling. Check them out if you like, and while you do, I\u2019ll be putting together some reflections on how the <em>Nightmare Cinema<\/em> segment &#8220;This Way to Egress<em>&#8220;<\/em> compares to the original story \u201cTraumatic Descent.\u201d<\/p>\n<p style=\"text-align: left;\">Stop back here tomorrow for more updates from the Festival. We&#8217;ll save you a place.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-12397\" src=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/the-nightmare-team-at-lunch-sb-2-300x203.jpg\" alt=\"\" width=\"594\" height=\"402\" srcset=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/the-nightmare-team-at-lunch-sb-2-300x203.jpg 300w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/the-nightmare-team-at-lunch-sb-2-768x520.jpg 768w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2018\/07\/the-nightmare-team-at-lunch-sb-2-1024x694.jpg 1024w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #00ffff;\"><strong>Images:<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #00ffff;\"><em>The standing ovation for Joe Dante&#8217;s Lifetime Achievement Award. Photo by Joe Dante.<\/em><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #00ffff;\"><em>Alejandro Brugues, Mick Garris, Ryuhei Kitamura, and Joe Dante outside the Auditorium des Diplomes\u00a0de la SGWU. Photo by the 21st-Century Scop.\u00a0<\/em><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #00ffff;\"><em>Thirteen members of the <\/em>Nightmare Cinema<em> team on the red carpet following the premiere. Fantasia Film Festival.<\/em><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #00ffff;\"><i>Lunch before the premiere (clockwise from lower left)\u00a0<\/i><em>Alejandro Brugues, Kyle Newmaster, Ryuhei Kitamura, Lawrence Connolly, Stephanie Caleb, Mick Garris, Sandra Becerril, Joe Russo, Joe Dante, and G. Brandon Hill. Photo <\/em><em>by <\/em><em>Sergio Becerril.<\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>An enthusiastic crowd gathered well in advance of Nightmare Cinema\u2019s premiere. By 9:00 last night, the line already stretched around the block, assuring a full house for a project that producer-director Mick Garris began dreaming up over a decade ago. Shortly before 10:00, Festival Programmer Tony Timpone took the stage to introduce directors Mick Garris, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"single-cat-21st-centuryscop","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3],"tags":[888,863,864,977,8,866,861,862,889,7,132],"class_list":["post-12423","post","type-post","status-publish","format-standard","hentry","category-21st-centuryscop","tag-alejandro-brugues","tag-anthology-films","tag-david-slade","tag-fantasia-film-festival","tag-horror","tag-joe-dante","tag-mick-garris","tag-nightmare-cinema","tag-ryuhei-kitamura","tag-science-fiction","tag-this-way-to-egress"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.4 - aioseo.com -->\n\t<meta name=\"description\" content=\"An enthusiastic crowd gathered well in advance of Nightmare Cinema\u2019s premiere. 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Shortly before 10:00, Festival Programmer Tony Timpone took the stage to introduce directors Mick Garris,"},"aioseo_meta_data":{"post_id":"12423","title":null,"description":null,"keywords":null,"keyphrases":null,"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":null,"og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"","isEnabled":true},"graphs":[]},"schema_type":"default","schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":null,"robots_max_videopreview":null,"robots_max_imagepreview":"large","priority":null,"frequency":null,"local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":null,"created":"2023-02-25 15:34:39","updated":"2025-10-22 15:07:08","seo_analyzer_scan_date":null,"focus_keyword":null,"additional_keywords":null,"truseo_locale":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/lawrencecconnolly.com\/archive\/\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">\u00bb<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/lawrencecconnolly.com\/archive\/category\/21st-centuryscop\/\" title=\"21st-Century Scop\">21st-Century Scop<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">\u00bb<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<i>Nightmare Cinema<\/i> Premieres at Fantasia\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/lawrencecconnolly.com\/archive\/"},{"label":"21st-Century Scop","link":"https:\/\/lawrencecconnolly.com\/archive\/category\/21st-centuryscop\/"},{"label":"<i>Nightmare Cinema<\/i> Premieres at Fantasia","link":"https:\/\/lawrencecconnolly.com\/archive\/2018\/07\/13\/nightmare-cinema-premieres-at-fantasia\/"}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/posts\/12423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/comments?post=12423"}],"version-history":[{"count":1,"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/posts\/12423\/revisions"}],"predecessor-version":[{"id":12424,"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/posts\/12423\/revisions\/12424"}],"wp:attachment":[{"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/media?parent=12423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/categories?post=12423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/tags?post=12423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}