{"id":15087,"date":"2019-07-16T12:08:03","date_gmt":"2019-07-16T16:08:03","guid":{"rendered":"https:\/\/lawrencecconnolly.com\/archive\/?p=15087"},"modified":"2023-07-07T22:43:27","modified_gmt":"2023-07-08T02:43:27","slug":"nightmare-cinema-in-japan","status":"publish","type":"post","link":"https:\/\/lawrencecconnolly.com\/archive\/2019\/07\/16\/nightmare-cinema-in-japan\/","title":{"rendered":"<i>Nightmare Cinema<\/i> in Japan"},"content":{"rendered":"<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-15088\" src=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/0f7c47294e96df0a453da0cd8fa7be08cca41615_xlarge-725x1024.jpg\" alt=\"\" width=\"413\" height=\"583\" srcset=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/0f7c47294e96df0a453da0cd8fa7be08cca41615_xlarge-725x1024.jpg 725w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/0f7c47294e96df0a453da0cd8fa7be08cca41615_xlarge-212x300.jpg 212w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/0f7c47294e96df0a453da0cd8fa7be08cca41615_xlarge-768x1085.jpg 768w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/0f7c47294e96df0a453da0cd8fa7be08cca41615_xlarge.jpg 1280w\" sizes=\"auto, (max-width: 413px) 100vw, 413px\" \/>Nightmare Cinema<\/em>\u2019s release schedule continues this month with its Japanese debut on July 19, complete with promotional art that incorporates elements of the US poster with striking details of its own.<\/p>\n<p style=\"text-align: left;\">In place of the demon from Ryuhei Kitamura\u2019s \u201cMashit\u201d segment, the Japanese poster features the face of a sleeping woman, head cleaved above the eyes to serve as a bowl of cinematic nightmares. Spiraling up and out of her skull is a length of film displaying many of the images included in the US poster. Look closely, and you\u2019ll see Fred the welder from \u201cThe Thing in the Woods,\u201d Ron the janitor from \u201cThis Way to Egress,\u201d and Mr. Stitches from \u201cDead.\u201d Look to the right of the movie marquee, and you\u2019ll see the demon from \u201cMashit\u201d that dominates the poster for the American release.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright  wp-image-15102\" src=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/Comanche-marque-2-300x213.jpg\" alt=\"\" width=\"189\" height=\"134\" srcset=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/Comanche-marque-2-300x213.jpg 300w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/Comanche-marque-2.jpg 637w\" sizes=\"auto, (max-width: 189px) 100vw, 189px\" \/><\/p>\n<p style=\"text-align: left;\">The design also includes a movie theater, though not the one from the film. Here, the Rialto\u2019s facade is replaced by a composite that includes the marque from the Comanche Drive-In (Buena Vista, Colorado) and the haunted fa\u00e7ade of the abandoned Filmtheater Cinema (Dresden, Germany) &#8212; an intriguing combination of images that reinforces the international aspect of <em>Nightmare Cinema<\/em>.<\/p>\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-15105\" src=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/FilmTheater-300x164.jpg\" alt=\"\" width=\"202\" height=\"110\" srcset=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/FilmTheater-300x164.jpg 300w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/FilmTheater.jpg 550w\" sizes=\"auto, (max-width: 202px) 100vw, 202px\" \/>But perhaps the most interesting aspect of the poster is the film&#8217;s Japanese title\u00a0\u30de\u30b9\u30bf\u30fc\u30ba\u30fb\u30aa\u30d6\u30fb\u30db\u30e9\u30fc. That translates as \u201cMasters of Horror,\u201d which just happens to be the title of the Mick Garris\u2019s anthology series that ran on Showtime from 2005-2007, the very series that paved the way for film\u00a0<em>Nightmare Cinema<\/em>.<\/p>\n<p style=\"text-align: left;\"><em>Nightmare Cinema<\/em>\u00a0makes its Japanese debut this weekend on July 19.<\/p>\n<p style=\"text-align: left;\">The film is currently available in the US via video on demand from <a href=\"https:\/\/itunes.apple.com\/us\/movie\/nightmare-cinema\/id1460917868\" target=\"_blank\" rel=\"noopener\">iTunes<\/a>, <a href=\"https:\/\/www.amazon.com\/Nightmare-Cinema-Mickey-Rourke\/dp\/B07S3D281T\/ref=sr_1_1?keywords=nightmare+cinema&amp;qid=1560719093&amp;s=gateway&amp;sr=8-1\" target=\"_blank\" rel=\"noopener\">Amazon<\/a>, and <a href=\"https:\/\/www.fandangonow.com\/details\/movie\/nightmare-cinema-2019\/MMVB3F23E3D8F1535FD5ED392CF14F75BDC8?ele=list&amp;elc=MMVB3F23E3D8F1535FD5ED392CF14F75BDC8&amp;eli=19&amp;eci=MMVB3F23E3D8F1535FD5ED392CF14F75BDC8\" target=\"_blank\" rel=\"noopener\">FandangoNow<\/a>. It releases on\u00a0<a href=\"https:\/\/www.amazon.com\/gp\/product\/B07SSDR64D\/ref=atv_dp_mv_of_dp_0\" target=\"_blank\" rel=\"noopener\">DVD and Blu-Ray<\/a>\u00a0editions on September 3.<\/p>\n<p style=\"text-align: left;\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-15112\" src=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/Japanese-Title-Masters-of-Horror-2-1024x488.jpg\" alt=\"\" width=\"629\" height=\"300\" srcset=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/Japanese-Title-Masters-of-Horror-2-1024x488.jpg 1024w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/Japanese-Title-Masters-of-Horror-2-300x143.jpg 300w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/Japanese-Title-Masters-of-Horror-2-768x366.jpg 768w, https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2019\/07\/Japanese-Title-Masters-of-Horror-2.jpg 1159w\" sizes=\"auto, (max-width: 629px) 100vw, 629px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #00ffff;\"><strong>Images:<\/strong><\/span><\/p>\n<p><em><span style=\"color: #00ffff;\">Poster for <\/span><\/em><span style=\"color: #00ffff;\">Nightmare Cinema<\/span><em><span style=\"color: #00ffff;\">&#8216;s Japanese release<\/span><\/em> &#8212; <a href=\"https:\/\/eiga.com\/news\/20190714\/6\/1\/01\/\" target=\"_blank\" rel=\"noopener\">Eigia<\/a>.<br \/>\n<em><span style=\"color: #00ffff;\">Comanche Drive-In Marqee<\/span><\/em> &#8212; <a href=\"http:\/\/cinematreasures.org\/theaters\/11721\" target=\"_blank\" rel=\"noopener\">Cinema Treasures<\/a>.<br \/>\n<em><span style=\"color: #00ffff;\">Filmtheater Facade<\/span><\/em> &#8211; <a href=\"http:\/\/dissertationreviews.org\/archives\/11754\" target=\"_blank\" rel=\"noopener\">Dissertation Reviews: Cinema in Theatre, 1915-1927<\/a>.<br \/>\n<span style=\"color: #00ffff;\"><em>Screencap from the Japanese trailer for<\/em> Nightmare Cinema<\/span> &#8212; <a href=\"https:\/\/www.youtube.com\/watch?time_continue=2&amp;v=Tk6ZaTlaigM\" target=\"_blank\" rel=\"noopener\">YouTube<\/a>.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nightmare Cinema\u2019s release schedule continues this month with its Japanese debut on July 19, complete with promotional art that incorporates elements of the US poster with striking details of its own. In place of the demon from Ryuhei Kitamura\u2019s \u201cMashit\u201d segment, the Japanese poster features the face of a sleeping woman, head cleaved above the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"single-cat-21st-centuryscop","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3],"tags":[863,8,950,1061,860,861,1060,862,889,1062,132],"class_list":["post-15087","post","type-post","status-publish","format-standard","hentry","category-21st-centuryscop","tag-anthology-films","tag-horror","tag-horror-cinema","tag-mashit","tag-masters-of-horror","tag-mick-garris","tag-movie-posters","tag-nightmare-cinema","tag-ryuhei-kitamura","tag-the-thing-in-the-woods","tag-this-way-to-egress"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.2.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"Nightmare Cinema\u2019s release schedule continues this month with its Japanese debut on July 19, complete with promotional art that incorporates elements of the US poster with striking details of its own. 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In place of the demon from Ryuhei Kitamura\u2019s \u201cMashit\u201d segment, the Japanese poster features the face of a sleeping woman, head cleaved above the"},"aioseo_meta_data":{"post_id":"15087","title":null,"description":null,"keywords":null,"keyphrases":null,"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":null,"og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"","isEnabled":true},"graphs":[]},"schema_type":"default","schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":null,"robots_max_videopreview":null,"robots_max_imagepreview":"large","priority":null,"frequency":null,"local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":null,"created":"2023-02-25 15:43:45","updated":"2025-10-22 15:28:14","seo_analyzer_scan_date":null,"focus_keyword":null,"additional_keywords":null,"truseo_locale":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/lawrencecconnolly.com\/archive\/\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">\u00bb<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/lawrencecconnolly.com\/archive\/category\/21st-centuryscop\/\" title=\"21st-Century Scop\">21st-Century Scop<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">\u00bb<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<i>Nightmare Cinema<\/i> in Japan\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/lawrencecconnolly.com\/archive\/"},{"label":"21st-Century Scop","link":"https:\/\/lawrencecconnolly.com\/archive\/category\/21st-centuryscop\/"},{"label":"<i>Nightmare Cinema<\/i> in Japan","link":"https:\/\/lawrencecconnolly.com\/archive\/2019\/07\/16\/nightmare-cinema-in-japan\/"}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/posts\/15087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/comments?post=15087"}],"version-history":[{"count":5,"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/posts\/15087\/revisions"}],"predecessor-version":[{"id":15133,"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/posts\/15087\/revisions\/15133"}],"wp:attachment":[{"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/media?parent=15087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/categories?post=15087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lawrencecconnolly.com\/archive\/wp-json\/wp\/v2\/tags?post=15087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}