{"id":1594,"date":"2012-04-16T23:22:04","date_gmt":"2012-04-16T23:22:04","guid":{"rendered":"https:\/\/lawrencecconnolly.com\/archive\/?p=1594"},"modified":"2023-07-29T20:26:31","modified_gmt":"2023-07-30T00:26:31","slug":"sounding-the-depths","status":"publish","type":"post","link":"https:\/\/lawrencecconnolly.com\/archive\/2012\/04\/16\/sounding-the-depths\/","title":{"rendered":"Sounding the Depths"},"content":{"rendered":"
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\"\"<\/a><\/dt>\n
World Horror fans give the V-sign at Voices & Music reading.<\/dd>\n<\/dl>\n<\/div>\n

Sounding the depths.<\/p>\n

That\u2019s what I call it.<\/p>\n

It\u2019s that phase of the writing process that exists apart from lived experience, the time when (as Wordsworth said) the stuff of life can be \u201crecollected in tranquility.\u201d<\/p>\n

I\u2019m currently spending a good bit of my free time in that phase, working to meet a couple of short-story deadlines and finish the first draft of my third Veins Cycle<\/em> novel Vortex<\/em> (which is due for release in 2013). Fortunately, this phase of self-imposed seclusion comes after a string of enjoyable real-world events, the kinds of personal appearances that are equally important to the writing life.<\/p>\n

\"\"<\/a>
At Jozarts with Carla E. Anderton, Stephanie Wytocivh, and Sheldon Higdon.<\/figcaption><\/figure>\n

A couple weeks ago, I sat on a panel at WHC, talking about the role of Social Media and the importance of balancing an Internet presence with time spent going deep into fiction. Among the strategies discussed was one that seems to work for a lot of people, namely the scheduling of a fixed amount of Social Media time each day. One writing friend has told me that he allocates 90 minutes to working on his blog, Facebook posts, and email. What he doesn\u2019t finish in that time, he saves for the next day. Thus, the rest of his writing time is devoted to fiction.<\/p>\n

The 90-minutes-and-stop approach seems like a good one, and I have no doubt that it works for some people, but for me?<\/p>\n

Jeff Strand, the master of comedic horror who served as MC for this year\u2019s Stoker Awards, parodied the distracting pull of Facebook during the award ceremony. What would we see if a writer\u2019s life were made into a reality show? He showed us by assuming the writing pose: hands on keys, eyes staring deep into the fictional landscape. Then the expression changes. \u201cHey!\u201d the writer says. \u201cI wonder what\u2019s on Facebook!\u201d<\/p>\n

It\u2019s for this reason that I find I’m much better at real-world social media. When I\u2019m at a convention or doing a reading, that\u2019s all I\u2019m doing. My focus is on the event. I enter life, go deep, and stay there until the interaction is finished.<\/p>\n

My approach to writing is much the same.<\/p>\n

I\u2019ve had a grand time during the last month, doing readings at Horror Realm, World Horror, and Jozart Center for the Arts. But now comes the real work, the reason I got into this crazy business in the first place. Now it\u2019s time to use what free time I have for living in fiction, spending time with some wonderfully eccentric characters and finding out where their lives are taking them. In short, it\u2019s time for going deep into the world of fiction.<\/p>\n

\"\"<\/a>All of this is by way of explaining the irregular frequency of my blog and Facebook posts. I\u2019m not hiding. Just working.<\/p>\n

That said, I do have a number of things to share in the coming weeks, some new fiction announcements and details regarding my upcoming all-music shows at Riley\u2019s Pour House.<\/p>\n

But for now, the fiction is calling!<\/p>\n","protected":false},"excerpt":{"rendered":"

World Horror fans give the V-sign at Voices & Music reading. Sounding the depths. That\u2019s what I call it. It\u2019s that phase of the writing process that exists apart from lived experience, the time when (as Wordsworth said) the stuff of life can be \u201crecollected in tranquility.\u201d I\u2019m currently spending a good bit of my […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"single-cat-21st-centuryscop","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3,4],"tags":[],"class_list":["post-1594","post","type-post","status-publish","format-standard","hentry","category-21st-centuryscop","category-appearances"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t