{"id":312,"date":"2011-07-26T00:29:33","date_gmt":"2011-07-26T00:29:33","guid":{"rendered":"https:\/\/lawrencecconnolly.com\/archive\/?p=312"},"modified":"2023-07-07T22:44:26","modified_gmt":"2023-07-08T02:44:26","slug":"the-writer-social-media","status":"publish","type":"post","link":"https:\/\/lawrencecconnolly.com\/archive\/2011\/07\/26\/the-writer-social-media\/","title":{"rendered":"The Writer & Social Media"},"content":{"rendered":"

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\"Virtual<\/dt>\n
Virtual Panel: Robert, J. Sawyer, Jonathan Maberry, Heidi Ruby Miller, Matt Schwartz, S. J. Browne, Jon Sprunk<\/dd>\n<\/dl>\n

This summer I\u2019ve moderated two panels on social media. The first was at last month\u2019s Bram Stoker Weekend <\/a>in New York. The second was this month at Confluence<\/a> in Pittsburgh.<\/p>\n<\/div>\n

Both panels considered how social media can serve as both a benefit and detriment to the writing life, and the discussions were so rich that I thought it would be fun to put them together into a virtual panel, in which responses from the June panel are placed alongside those from the Confluence discussion. The responses presented here are excerpts from the full-length recordings that I made at both events. They have been edited for clarity and continuity.<\/p>\n

In the weeks to come, I\u2019ll try to offer more excerpts, each centering on an element of the ways writers can used social media to build and cultivate a fan base.<\/p>\n

The members of our virtual panel are:<\/p>\n

Robert J. Sawyer<\/a> :<\/p>\n

One of the sf world’s most honored writers,\u00a0Sawyer has won more sf and fantasy awards than any other genre novelist. He was also the first sf writer to have a webpage and blog. His most recent novel is <\/em>www:wonder <\/a>— the third book in the www: trilogy.<\/em><\/p><\/blockquote>\n

\u00a0Jonathan Maberry<\/a>:<\/p>\n

New York Times best-selling and multiple Bram Stoker Award<\/a>-winning author, Maberry is a magazine feature writer, playwright, content creator and writing teacher\/lecturer. His novel <\/em>Rot & Ruin\u00a0<\/a>won the\u00a02010 Cybils Award<\/a>\u00a0for Science Fiction and Fantasy.<\/em><\/p><\/blockquote>\n

\u00a0Heidi Ruby Miller<\/a>:<\/p>\n

A creative writing instructor at Seton Hill University<\/a>, Heidi is co-editor (with Michael A. Arnzen<\/a>) of the writing guide <\/em>Many Genres, One Craft<\/a>. She maintains the blog Heidi’s Pick Six<\/a>, is the author of <\/em>Ambasadora<\/a>, and has appeared on <\/em>Who Wants to be a Millionaire<\/a>.<\/em><\/p><\/blockquote>\n

Matt Schwartz<\/a>:<\/p>\n

Creator of Shocklines.com <\/a>and VP of Digital Marketing for Random House Publishing Group<\/a>, Matt has spent more than 13 years working in the publishing industry with a focus on e-commerce, online merchandising, and online marketing, both viral and traditional. He has also served as editorial director for BarnesandNoble.com <\/a>and director of online marketing for Simon & Schuster Children\u2019s Publishing<\/a>.<\/em><\/p><\/blockquote>\n

\u00a0S. G. Browne<\/a>:<\/p>\n

The author of the novels <\/em>Breathers <\/a>and <\/em>Fated<\/a>, Browne\u00a0has been called\u00a0\u201cone of America’s best satiric novelists\u201d (<\/em>Kirkus Reviews<\/a>).\u00a0\u00a0<\/em><\/p><\/blockquote>\n

\u00a0Jon Sprunk<\/a>:<\/p>\n

Author of the Shadow Saga <\/a>novels, <\/em>Shadow’s Son and <\/em>Shadow’s Lure, Jon is also the author of a number of short stories published\u00a0in fantasy anthologies from Fantrasist Enterprises<\/a>.<\/em><\/p><\/blockquote>\n

<\/strong>\u00a0<\/p>\n

That’s our virtual panel. Now here\u2019s the first installment:<\/strong><\/p>\n

<\/strong>\u00a0<\/p>\n

Let’s \u00a0start with the basics. Where should the writer begin? If a writer came to you for advice on how to begin building a presence in social media, what advice would you give?<\/em><\/p>\n

Jon Sprunk:<\/strong><\/p>\n

I think your own website is the place to start. I created my website not long after my first short story was published. My aim was just to give readers a place to go if they were curious about me and my work. It was partly about promoting my work, but when combined with my blog I think it became\u00a0more about having a dialogue with the world.<\/p><\/blockquote>\n

Heidi Ruby Miller:<\/strong><\/p>\n

Definitely with the website and blog.<\/p>\n

I am to the point where after six years of posting author interviews on Heidi\u2019s Pick Six (which have included interviews with Robert<\/a>, Jon<\/a>, and Larry<\/a>), I find myself getting upwards of 500-600 hits a day. I had to work on this over a four or five year period, but it\u2019s wonderful, and I also feel like what I\u2019m doing with my website is a way of giving back to a lot of the authors, and it may give them a reason to help me out sometime in the future.<\/p><\/blockquote>\n

Robert J. Sawyer:<\/strong><\/p>\n

I don\u2019t think of a website as social media because it\u2019s not generally interactive. But absolutely I agree that you\u2019ve got to have a website.\u00a0 People expect you to have one, and you should have one.<\/p>\n

If you ever want to get a master\u2019s level course in how not to do websites, just go to the main SFWA page and pick member\u2019s pages at random. Almost all author webpages are appallingly hard to read, not updated, and lacking in current content. So make sure you do a good one. Like everything in life it is better to have no website than a bad website. So, yes, websites for sure \u2013 but make sure you do a decent one.<\/p>\n

Of social media, I just had lunch with Bud Sparhawk \u00a0<\/a>(which is real social media, two writers facing opposite each another and talking), and I was saying that I have kind of given up doing a lot with my blog. I was one of the first people to have a blog (even way before there was the word blog<\/em>) but I spend most of my social media efforts these days on Facebook, which I find that I like. I find it more congenial because when you do a blog you\u2019re supposed to allow anonymous comments, and the one thing that Facebook does is it has people there under their real persona.<\/p>\n

So for me, a Facebook presence is what I\u2019m enjoying the most these days in social media.<\/p><\/blockquote>\n

Matt Schwartz:<\/strong><\/p>\n

I\u2019d definitely recommend\u00a0that most authors establish a presence on Facebook and make sure that elements of everything they\u2019re doing kind of point to that and have a consistent message. Ultimately, you\u2019ll have to establish a Facebook fan page as opposed to just working on your personal profile, which I think is a mistake that some authors have made, going too far down the personal profile route only to be blocked into its restraints and then having to learn how to get their fans over from their personal profile page.<\/p>\n

I know that it might seem egotistical for some authors to start out with a fan page or a brand page, but there comes a point where you just have to get over that.<\/p><\/blockquote>\n

Scott Browne:<\/strong><\/p>\n

I started off with a personal profile and then created a fan page, and I\u2019ve had a lot of authors find me on my profile page because that\u2019s the one where I do a little more interacting. So, of course, I\u2019m friending them. But then when fans want to friend me there, it\u2019s kind of tough to say, \u201cNo, you can\u2019t be a friend of mine here.\u201d But there is a point that I\u2019m reaching where I have my fan page and I have my personal page, and I like keeping my private from my public life. That\u2019s part of what I think this panel is about too. How do you keep them separate? So, I\u2019m reaching a point where I may have to say, \u201cIf you would like to continue to follow my professional life with my books and my signings and my blog posts, then like<\/em> my fan page, because I\u2019m not going to be sharing those things here on my personal page anymore.\u201d<\/p><\/blockquote>\n

Jonathan Maberry:<\/strong><\/p>\n

One of the things that makes migrating people over to your fan page tough is that so many writers have fan pages managed by fans, and that\u2019s a turnoff for a lot of readers. They want the personal page because there\u2019s your personality. I have both, and I keep hitting the limit on my regular page as to how many people I can have, which is 5,000. So almost every day I\u2019ll spend a few minutes posting happy birthdays to people who are actively interacting on my personal page but aren\u2019t yet on my fan page. And I will send everyone who isn\u2019t already on my fan page an invitation to migrate over. I\u2019ll do that once, and if they don\u2019t migrate over I’ll cut them anyway. But if they do migrate over I cut them from the regular page too. The idea is I eventually want to get everyone over to the fan page. If I could go back and start again, I would start with the fan page only, but I didn\u2019t even know about the fan page when I started Facebook.\u00a0<\/p>\n

I am also very careful with what I put up about my personal life. The version of myself that I put on my Facebook page is kind of the Goodtime Charley version of me. I don\u2019t go too deep into my family. I don\u2019t have a lot about my wife or my son. So it’s kind of the cocktail bar next to my fan page, and they kind of work together. One will be a little more business oriented, the other will be a little more fun (but also business oriented). They work pretty well together.<\/p>\n

But to get back to the original question about where you should start. Facebook is essential, but I think Linkedin is incredibly important, even if you\u2019re not yet published, because a lot of jobs can come to you as a writer through linked in. I\u2019ve gotten all sorts of work from Linkedin.<\/p>\n

And Twitter is useful. A lot of folks have a resistance to Twitter, but it is brand reinforcement. Anything that a writer does online that connects to their name is brand reinforcement. As long as the message going out is a positive one, then it\u2019s positive brand reinforcement.<\/p>\n

So, when I teach workshops on social media, it\u2019s Linkedin, Facebook, and Twitter as the first wave (even before you have a book deal) then blog, and then, once you have a deal, a website. So it kind of has a tier effect. But Facebook is probably the easiest to grasp, and the others are good for fitting in that part of your audience that doesn\u2019t overlap with Facebook. There are people who are on my Linkedin page that aren\u2019t on Facebook. And there are people that I have on twitter who aren\u2019t on either. But you can rig it so that with your fan page you can place one post there and it goes to Linkedin and Twitter, so you have that little cascade effect that hits everyone.<\/p><\/blockquote>\n

\u00a0<\/em><\/p>\n

\"\"<\/a>That\u2019s our first installment. <\/em><\/p>\n

Any thoughts, questions, or comments<\/em>? Please post them\u00a0below. As with all panels (virtual or real) audience feedback is vital to the discussion.<\/em><\/p>\n

In the days to come, the virtual panel will be discussing mistakes\u00a0writers should\u00a0avoid when establishing a social-media presence. <\/em>Keep checking back. Lots more to come!<\/em><\/p>\n

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