{"id":4528,"date":"2013-11-10T17:14:52","date_gmt":"2013-11-10T17:14:52","guid":{"rendered":"https:\/\/lawrencecconnolly.com\/archive\/?p=4528"},"modified":"2023-07-29T18:14:39","modified_gmt":"2023-07-29T22:14:39","slug":"the-brighton-readings-part-two-2","status":"publish","type":"post","link":"https:\/\/lawrencecconnolly.com\/archive\/2013\/11\/10\/the-brighton-readings-part-two-2\/","title":{"rendered":"The Brighton Readings: Part Two"},"content":{"rendered":"<p><!--[if gte mso 9]><xml>\n<o:OfficeDocumentSettings>\n<o:AllowPNG\/>\n<\/o:OfficeDocumentSettings>\n<\/xml><![endif]--><\/p>\n<p><!--[if gte mso 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5.4pt;\n\tmso-para-margin-top:0in;\n\tmso-para-margin-right:0in;\n\tmso-para-margin-bottom:10.0pt;\n\tmso-para-margin-left:0in;\n\tline-height:115%;\n\tmso-pagination:widow-orphan;\n\tfont-size:11.0pt;\n\tfont-family:\"Calibri\",\"sans-serif\";\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n<\/style>\n\n\n\n<![endif]--><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left;\"><a href=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2013\/11\/Notes-to-a-Science-Fiction-Writer.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-4537\" alt=\"Notes to a Science Fiction Writer\" src=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2013\/11\/Notes-to-a-Science-Fiction-Writer-202x300.jpg\" width=\"223\" height=\"327\"><\/a>Long ago, when I was first entertaining notions of sharing my stories with a wide audience, I came across a passage in Ben Bova&#8217;s <a href=\"http:\/\/amzn.com\/0395305217\" target=\"_blank\" rel=\"noopener\"><em>Notes to a Science Fiction Writer<\/em><\/a>. It describes a photograph that he saw in a book titled <em>The Faces of Man<\/em>. Bova writes:<\/p>\n<p class=\"MsoNormal\" style=\"text-align: left;\"><span style=\"color: #00ffff;\"><em>[The photograph] shows an African village, where most of the people have gathered around an old, withered man who is evidently the village story-teller. He is at a high point in the evening&#8217;s story; his arms are raised over his head, his mouth is agape, his eyes wide. And the whole village is staring at him, equally agape and wide-eyed, breathless to find out what happens next.<\/em><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left;\"><span style=\"color: #00ffff;\"><em>That is what story-telling is all about.<\/em><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left;\">I&#8217;ve read a lot of books about writing since then, but that passage has always stuck with me.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: left;\"><a href=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2013\/11\/Storyteller.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright  wp-image-4533\" alt=\"Storyteller\" src=\"https:\/\/lawrencecconnolly.com\/archive\/wp-content\/uploads\/2013\/11\/Storyteller-300x298.gif\" width=\"216\" height=\"235\"><\/a>The act of presenting stories from memory is nothing new. It is clearly working for the storyteller in the photograph, and I believe it can still work today. Not as a stunt, but as an effective way of sharing fiction with a live audience.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: left;\">Recently, I\u2019ve been exploring this mode of storytelling in venues as varied as the <a href=\"https:\/\/lawrencecconnolly.com\/archive\/2013\/06\/23\/report-from-the-kgb\/\" target=\"_blank\" rel=\"noopener\">KGB Fantastic Fiction Series<\/a>, <a href=\"https:\/\/lawrencecconnolly.com\/archive\/2013\/08\/23\/the-portal-closes-looking-back-gencon\/\" target=\"_blank\" rel=\"noopener\">GenCon Writers Symposium<\/a>, PAISTA, The University of Brighton, and World Fantasy. The approach seems to be working. In any event, I\u2019m having a lot of fun following in the tradition of that African storyteller.<\/p>\n<p>Let me show you what I&#8217;m talking about.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: left;\">Below is a video from last week\u2019s Reading Caf\u00e9 at The World Fantasy Convention, featuring a reading of \u201cStep on a Crack\u201d from <a href=\"http:\/\/amzn.com\/1934571016\" target=\"_blank\" rel=\"noopener\"><i style=\"mso-bidi-font-style: normal;\">Visions: Short Fantasy and SF<\/i><\/a>. It&#8217;s one of three stories I presented that day. The entire performance was recorded, and I may be posting additional segments in the coming weeks, but, for now, here\u2019s a peek at what went down when some members of the World Fantasy village gathered to listen to the 21st-Century Scop.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/79010054\" allowfullscreen=\"\" width=\"500\" height=\"281\" frameborder=\"0\"><\/iframe><\/p>\n<p><a href=\"http:\/\/vimeo.com\/79010054\">Lawrence C. Connolly reads Step on a Crack<\/a> from <a href=\"http:\/\/vimeo.com\/lawrencecconnolly\">Lawrence Connolly<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n<p><em><span style=\"color: #00ffff;\">Image Credits:<br \/>\n<\/span><\/em><span style=\"color: #00ffff;\">Notes to a Science Fiction Writer<\/span><em><span style=\"color: #00ffff;\"> by Ben Bova, Charles Schribner&#8217;s Sons.<br \/>\nThe Kalahari Storyteller, <\/span><\/em><span style=\"color: #00ffff;\">Life Magazine<\/span><em><span style=\"color: #00ffff;\">, 1947.<\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Long ago, when I was first entertaining notions of sharing my stories with a wide audience, I came across a passage in Ben Bova&#8217;s Notes to a Science Fiction Writer. It describes a photograph that he saw in a book titled The Faces of Man. 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