November 10th, 2018
A couple of interesting links this week.
The first arrived a few days ago from G. Brandon Hill, Executive Director of Acquisitions and Distribution at Good Deed Entertainment. It’s a link to an exclusive piece in Variety that includes the long-awaited details about Nightmare Cinema’s release.
According to the article:
Cranked Up Films has partnered with AMC Network’s streaming platform Shudder to buy North American distribution rights to Cinelou Films’ Nightmare Cinema.
Although not mentioned in the article, I have it on good authority that a release to physical media (DVD and Blu-Ray) is also … [read more at The 21st-Century Scop].
October 27th, 2018
Nightmare Cinema screened last night before a packed house at the Irish Film Institute. The event included a Q&A session with producer Mick Garris, who will also be screening … [read more at The 21st-Century Scop].
October 21st, 2018
Two weeks after its UK Premiere at Grimmfest, Nightmare Cinema is continuing its run of successful festival screenings, winning fans and garnering strong reviews in the process.
In an earlier post, I listed some of the screenings scheduled for October and November. Since then, new screenings have been announced in Dublin, Melbourne, and New York City — all of which should (hopefully) bring us closer to a big west-coast premiere and a release to theatres and home video.
A few months ago, following Nightmare Cinema‘s world premiere at the Fantasia International Film Festival in Montreal, I posted links to some of the film’s initial reviews here and here.
At left, a banner featuring Grimmfest Guest of Honor Barbara Crampton, stands at the foot of an escalator leading to the Odeon Cinema. The renovated industrial site bears a resemblance to the L.A. locations for “This Way to Egress” … [read more at The 21st-Century Scop].
October 7th, 2018
I first read Traumatic Descent – Larry Connolly’s short story that would be adapted into “This Way to Egress” 17 or 18 years ago.
Soon after I worked with my dear friend Charly Cantor on ideas to adapt the story into a feature-length film which Charly would write. I loved Charly like a brother and he passed away in 2002 leaving a gaping hole in me.
I would describe the story as a dark but benign fog that infiltrated my subconscious. It resonated for me in ways that took all of this time to become clear.
I’m grateful to Mick Garris and most of all to Larry for allowing me to complete part of this project. It does not fill any part of the hole but it helps.
David Slade, director of “This Way to Egress”
Saturday was the day it all came full circle, some 18-years after two young filmmakers from Sheffield reached out … [more at The 21st-Century Scop].