Lawrence C. Connolly

Tag: Frankenstein

  • A Child and a Monster go to the Lake, or …
    “What shall we throw in now?”

    Set in central Spain shortly after the Spanish revolution, Victor Erice’s film The Spirit of the Beehive opens with the children of a rural village watching James Whale’s Frankenstein (1931). Two of the children, sisters Ana and Isabelle, watch wide-eyed as the monster encounters a young girl by a mountain lake. It’s the same scene you’ll…

  • A Monster of a Mix Up:
    The Strange Case of Creepy No. 10

    Today we continue unpacking some of the titles mentioned during my conversation with Brentley Palmer and Nicholas Schwartz in the Frankenstein installment of their Horror Drafts podcast. if you haven’t listened to that discussion, you can find it here. As for the previous blog posts in this series, you can find them here and here. …

  • Not Your Universal Monster:
    The Hammer Frankenstein Series

    It’s alive! Out of the lab and in your earbuds, the latest episode of the Horror Drafts podcast featuring a two-hour discussion of all things Frankenstein is available now. Here’s the description from the podcast site: This week we are joined by author, screenwriter, playwright, podcaster, and all-around Frankenstein expert Lawrence C. Connolly to draft…

  • First Impressions:
    Discovering Frankenstein

    A recent episode of Prime Stage Mystery Theatre features responses to the question “Where did you first encounter Frankenstein?” The responses are varied, with listeners referencing Mel Brooks, Boris Karloff, and (appropriately) Mary Shelley. But a response closest to my own experience is from a Facebook friend who reports that she had been aware of…

  • Celebrating a Performance that was …
    “All part of the day’s work.”

    Ninety years ago this month, when James Whale’s Frankenstein was being made, “nobody recognized the importance of the film and the impact it would have on cinema history. It was just part of the day’s work, as far as my father was concerned.” That’s according to Sara Karloff, daughter of the man who created one…

  • More than a Monster:
    Karloff Reveals the Man behind the Icon

    Arrayed with costumes and memorabilia, the set of Karloff: The Man and the Monster presents a snapshot of the actor’s career. There’s a sheep’s wool vest from Son of Frankenstein, sarcophagus from The Mummy, gurney from The Bride of Frankenstein, wheelchair from the set of Targets. Behind it all, a projection screen displays the iconic…