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Communing with the Masters

February 19th, 2012

It’s about community, not competition.

A number of people have submitted emails in response to the news post I put up yesterday, and some have asked about the meaning of the Dante quote:

e più d’onore ancora assai mi fenno,
ch’e’ sì mi fecer de la loro schiera . . .

The lines are from The Inferno, Canto 4, a scene in which Dante leaves the dark wood to find himself in a pastoral region that sits apart from the errors of the world and the terrors of Hell. Here, in a place beyond time, he joins with five masters of his craft:  Homer, Horace, Ovid, Lucan, and Virgil. These are the writers he has long admired, and he sums up his feelings about finding himself among them with the aforementioned lines, which can be translated thus:

And more honor still, much more, they did me
In that they made me one of their own band . . .

It occurs to me now, particularly after seeing the cover of Voices displayed alongside five other Stoker Nominees at SF Signal, that I might have included one more line in yesterday’s quote.

Here are the full three lines of Dante’s tercet:

e più d’onore ancora assai mi fenno,
ch’e’ sì mi fecer de la loro schiera,
sì ch’io fui sesto tra cotanto senno.

 And in English:

And more honor still, much more, they did me
In that they made me one of their own band,
So that I was the sixth, amid so much wisdom.

I think that’s fitting. It’s not about the competition, about winning or losing against the other works in the collection category. It’s enough to be allowed to stand alongside five of my favorite writers, counted as a member of their band. It’s community, not competition.

Do you agree?

Beyond the Walls of Horror

February 5th, 2012

Horror isn’t a genre. It’s an ingredient. A seasoning. Such things have been pointed out before, most notably by Douglas Winter in Revelations (1997), but a quick look at this year’s Bram Stoker Award™ Preliminary Ballot shows that it bears repeating.

This year the short-fiction jury has selected three strong works from mainstream publications, Ramona Ausubel’s “Atria” (New Yorker, April 4), George Saunders’s “Home” (New Yorker, June 13) and Stephen King’s “Herman Wouk Is Still Alive” (The Atlantic, May).

The past year also saw Zoetrope All-Story Magazine and Granta putting out special Horror Issues, featuring writers not generally associated with the genre, but most turning in work that puts the ingredients to good use.

Beyond these examples, I’m often struck by passages of genuine horror that I frequently encounter in works that have never been marketed or labeled as such. Most notably Augusten Burroughs’s chilling memoir A Wolf at the Table and Cormac McCarthy’s Blood Meridian (both books from past years that I have only recently gotten around to reading).

The take-away, of course, is that some of the best opportunities for readers and writers of horror lie well beyond the genre walls.

Do you agree? Got a work you’d like to recommend?

As always, the comment box is open.

HWA Announces 2011 Bram Stoker Award™ Preliminary Ballot

January 21st, 2012

◦Lamberson, Greg — Cosmic Forces
◦Longfellow, Ki — Houdini Heart
◦Malfi, Ronald — Floating Staircase
◦O’Neill, Gene — Not Fade Away
◦Warner, Matthew — Blood Born

◦Conlon, Christopher — A Matrix Of Angels
◦Dunbar, Robert — Willy
◦McKinney, Joe — Flesh Eaters
◦Oliver, Reggie — Dracula Papers, Book 1: The Scholar’s Tale
◦Thomas, Lee — The German 

◦Bird, Allyson — Isis Unbound
◦Lee, Frazer — The Lamplighters
◦Reynolds, Graeme — High Moor
◦Talley, Brett J. — That Which Should Not Be
◦Wagner, Jeremy — The Armageddon Chord

No ballot required, the following works will proceed directly to the Final Ballot. Please note these works may not be described as Nominees until the Final Ballot is formally announced.
◦Jacobs, John, Horner — Southern Gods
◦Roche, Thomas — The Panama Laugh 

◦Faherty, J. G. — Ghosts of Coronado Bay, A Maya Blair Mystery
◦Holder, Nancy — The Screaming Season
◦Maberry, Jonathan — Dust & Decay
◦Matthews, Araminta Star — Blind Hunger

◦Blake, Kendare — Anna Dressed in Blood
◦Kraus, Daniel — Rotters
◦Ness, Patrick — A Monster Calls
◦Oppel, Kenneth — This Dark Endeavor: The Apprenticeship of Victor Frankenstein
◦Roth, Veronica — Divergent

◦Hill, Joe — Locke & Key, Volume 4
◦Maberry, Jonathan — Marvel Universe vs. The Punisher
◦Maberry, Jonathan — Marvel Universe vs. Wolverine
◦Mignola, Mike and Golden, Christopher — The Plague Ships
◦O’Reilly, Sean; Nassise, Joe; Weick, Halston — Candice Crow

◦Brosgol, Vera — Anya’s Ghost
◦Fialkov, Joshua Hale — Echoes
◦Jensen, Jeff — Green River Killer
◦Moore, Alan — Neonomicon
◦Smith, John — Cradlegrave 

◦Breaux, Kevin James — Dark Water: Beaming Smile
◦Calvillo, Michael Louis — 7Brains
◦Little, John R. — Ursa Major
◦O’Neill, Gene — Rusting Chickens
◦Schwamberger, Ty — The Fields

◦Hodge, Brian — Roots and All
◦Kiernan, Caitlin — The Colliers’ Venus (1893)
◦Lindqvist, John Ajvide — The Music of Bengt Karlsson, Murderer
◦Shearman, Robert — Alice Through A Plastic Sheet
◦Straub, Peter — The Ballad of Ballard and Sandrine

◦Bailey, Michael — “It Tears Away” (The Shadow of the Unknown)
◦Lillie-Paetz, Ken — “Hypergraphia” (The Uninvited, Issue 1)
◦O’Neill, Gene — “Graffiti Sonata” (Dark Discoveries)
◦Palisano, John — “X is for Xyx” (M is for Monster)
◦Warren, Kaaron — “All You Can Do Is Breathe” (Blood and Other Cravings)

◦Ausubel, Ramona — “Atria” (The New Yorker Magazine, April 4, 2011)
◦Ballingrud, Nathan — “Sunbleached” (Teeth: Vampire Tales)
◦Castro, Adam Troy — “Her Husband’s Hands” (Lightspeed Magazine)
◦King, Stephen — “Herman Wouk Is Still Alive” (The Atlantic Magazine, May 2011)
◦Saunders, George — “Home” (The New Yorker Magazine, June 13, 2011)

No ballot required, the following works will proceed directly to the Final Ballot. Please note these works may not be described as Nominees until the Final Ballot is formally announced.
◦Ball, Alan — True Blood: Spellbound (Episode #44)
◦Goodman, Cory — Priest
◦Nolfi, George — The Adjustment Bureau

◦Gimple, Scott M. — The Walking Dead, episode 13: “Pretty Much Dead Already”
◦Gimple, Scott M. — The Walking Dead, episode 9: “Save the Last One”
◦Noxon, Marti — Fright Night
◦Ovrehahl, Andre and Havard S. Johansen — Troll Hunter
◦Sharzer, Jessica — American Horror Story, episode 12: “Afterbirth” 

No ballot required, the following works will proceed directly to the Final Ballot. Please note these works may not be described as Nominees until the Final Ballot is formally announced.
◦Carbone, Tracy L. — NEHW Presents: Epitaphs
◦Hutton, Frank J. — Tattered Souls 2
◦Skipp, John — Demons: Encounters with the Devil and His Minions, Fallen Angels, and the Possessed
◦Dann, Jack and Nick Gevers — Ghosts By Gaslight
◦Datlow, Ellen — Blood And Other Cravings
◦Datlow, Ellen — Supernatural Noir
◦Datlow, Ellen and Terri Windling — Teeth
◦VanderMeer, Jeff and Ann — The Thackery T. Lambshead Cabinet of Curiosities 

◦Burke, Chesya — Let’s Play White
◦Connolly, Lawrence C. — Voices: Tales of Horror
◦Gresh, Lois — Eldritch Evolutions
◦Haines, Paul — The Last Days of Kali Yuga
◦Morton, Lisa — Monsters of L.A.
◦Ochse, Weston — Multiplex Fandango

◦Fowler, Christopher — Red Gloves: The London Horrors
◦Kiernan, Caitlin R. — Two Worlds and In-Between
◦Llewellyn, Livia — Engines of Desire
◦Oliver, Reggie — Mrs. Midnight and Other Stories

No ballot required, the following works will proceed directly to the Final Ballot. Please note these works may not be described as Nominees until the Final Ballot is formally announced.
◦Bannatyne, Lesley Pratt — Halloween Nation: Behind the Scenes of America’s Fright Night
◦Mamatas, Nick — Starve Better
◦Mogk, Matt — Everything You Ever Wanted to Know About Zombies

◦Crawford, Gary William, Jim Rockhill, and Brian J. Showers, Eds. — Reflections in a Glass Darkly
◦Rupe, Shade — Dark Stars Rising
◦Shultz, David E. and S.T. Joshi, Ed. — Letters to James F. Morton
◦Tibbetts, John C. — The Gothic Imagination
◦Wood, Rocky — Stephen King: A Literary Companion

◦Alexander, Maria — At Louche Ends: Poetry for the Decadent,the Damned & the Absinthe-Minded
◦Clarke, G.O — Shroud of Night
◦Borski, Robert — Blood Wallah and Other Poems
◦Simon, Marge — The Mad Hattery
◦Ward, Kyla Lee — The Land of Bad Dreams

◦Addison, Linda — How to Recognize a Demon Has Become Your Friend
◦Boston, Bruce — Surrealities
◦Marshall, Helen — Skeleton Leaves
◦Schwader, Ann K. — Twisted in Dream
◦Simon, Marge — Unearthly Delights

The Writer & Social Media

July 26th, 2011


Virtual Panel: Robert, J. Sawyer, Jonathan Maberry, Heidi Ruby Miller, Matt Schwartz, S. J. Browne, Jon Sprunk
Virtual Panel: Robert, J. Sawyer, Jonathan Maberry, Heidi Ruby Miller, Matt Schwartz, S. J. Browne, Jon Sprunk

This summer I’ve moderated two panels on social media. The first was at last month’s Bram Stoker Weekend in New York. The second was this month at Confluence in Pittsburgh.

Both panels considered how social media can serve as both a benefit and detriment to the writing life, and the discussions were so rich that I thought it would be fun to put them together into a virtual panel, in which responses from the June panel are placed alongside those from the Confluence discussion. The responses presented here are excerpts from the full-length recordings that I made at both events. They have been edited for clarity and continuity.

In the weeks to come, I’ll try to offer more excerpts, each centering on an element of the ways writers can used social media to build and cultivate a fan base.

The members of our virtual panel are:

Robert J. Sawyer :

One of the sf world’s most honored writers, Sawyer has won more sf and fantasy awards than any other genre novelist. He was also the first sf writer to have a webpage and blog. His most recent novel is www:wonder — the third book in the www: trilogy.

 Jonathan Maberry:

New York Times best-selling and multiple Bram Stoker Award-winning author, Maberry is a magazine feature writer, playwright, content creator and writing teacher/lecturer. His novel Rot & Ruin won the 2010 Cybils Award for Science Fiction and Fantasy.

 Heidi Ruby Miller:

A creative writing instructor at Seton Hill University, Heidi is co-editor (with Michael A. Arnzen) of the writing guide Many Genres, One Craft. She maintains the blog Heidi’s Pick Six, is the author of Ambasadora, and has appeared on Who Wants to be a Millionaire.

Matt Schwartz:

Creator of and VP of Digital Marketing for Random House Publishing Group, Matt has spent more than 13 years working in the publishing industry with a focus on e-commerce, online merchandising, and online marketing, both viral and traditional. He has also served as editorial director for and director of online marketing for Simon & Schuster Children’s Publishing.

 S. G. Browne:

The author of the novels Breathers and Fated, Browne has been called “one of America’s best satiric novelists” (Kirkus Reviews).  

 Jon Sprunk:

Author of the Shadow Saga novels, Shadow’s Son and Shadow’s Lure, Jon is also the author of a number of short stories published in fantasy anthologies from Fantrasist Enterprises.


That’s our virtual panel. Now here’s the first installment:


Let’s  start with the basics. Where should the writer begin? If a writer came to you for advice on how to begin building a presence in social media, what advice would you give?

Jon Sprunk:

I think your own website is the place to start. I created my website not long after my first short story was published. My aim was just to give readers a place to go if they were curious about me and my work. It was partly about promoting my work, but when combined with my blog I think it became more about having a dialogue with the world.

Heidi Ruby Miller:

Definitely with the website and blog.

I am to the point where after six years of posting author interviews on Heidi’s Pick Six (which have included interviews with Robert, Jon, and Larry), I find myself getting upwards of 500-600 hits a day. I had to work on this over a four or five year period, but it’s wonderful, and I also feel like what I’m doing with my website is a way of giving back to a lot of the authors, and it may give them a reason to help me out sometime in the future.

Robert J. Sawyer:

I don’t think of a website as social media because it’s not generally interactive. But absolutely I agree that you’ve got to have a website.  People expect you to have one, and you should have one.

If you ever want to get a master’s level course in how not to do websites, just go to the main SFWA page and pick member’s pages at random. Almost all author webpages are appallingly hard to read, not updated, and lacking in current content. So make sure you do a good one. Like everything in life it is better to have no website than a bad website. So, yes, websites for sure – but make sure you do a decent one.

Of social media, I just had lunch with Bud Sparhawk  (which is real social media, two writers facing opposite each another and talking), and I was saying that I have kind of given up doing a lot with my blog. I was one of the first people to have a blog (even way before there was the word blog) but I spend most of my social media efforts these days on Facebook, which I find that I like. I find it more congenial because when you do a blog you’re supposed to allow anonymous comments, and the one thing that Facebook does is it has people there under their real persona.

So for me, a Facebook presence is what I’m enjoying the most these days in social media.

Matt Schwartz:

I’d definitely recommend that most authors establish a presence on Facebook and make sure that elements of everything they’re doing kind of point to that and have a consistent message. Ultimately, you’ll have to establish a Facebook fan page as opposed to just working on your personal profile, which I think is a mistake that some authors have made, going too far down the personal profile route only to be blocked into its restraints and then having to learn how to get their fans over from their personal profile page.

I know that it might seem egotistical for some authors to start out with a fan page or a brand page, but there comes a point where you just have to get over that.

Scott Browne:

I started off with a personal profile and then created a fan page, and I’ve had a lot of authors find me on my profile page because that’s the one where I do a little more interacting. So, of course, I’m friending them. But then when fans want to friend me there, it’s kind of tough to say, “No, you can’t be a friend of mine here.” But there is a point that I’m reaching where I have my fan page and I have my personal page, and I like keeping my private from my public life. That’s part of what I think this panel is about too. How do you keep them separate? So, I’m reaching a point where I may have to say, “If you would like to continue to follow my professional life with my books and my signings and my blog posts, then like my fan page, because I’m not going to be sharing those things here on my personal page anymore.”

Jonathan Maberry:

One of the things that makes migrating people over to your fan page tough is that so many writers have fan pages managed by fans, and that’s a turnoff for a lot of readers. They want the personal page because there’s your personality. I have both, and I keep hitting the limit on my regular page as to how many people I can have, which is 5,000. So almost every day I’ll spend a few minutes posting happy birthdays to people who are actively interacting on my personal page but aren’t yet on my fan page. And I will send everyone who isn’t already on my fan page an invitation to migrate over. I’ll do that once, and if they don’t migrate over I’ll cut them anyway. But if they do migrate over I cut them from the regular page too. The idea is I eventually want to get everyone over to the fan page. If I could go back and start again, I would start with the fan page only, but I didn’t even know about the fan page when I started Facebook. 

I am also very careful with what I put up about my personal life. The version of myself that I put on my Facebook page is kind of the Goodtime Charley version of me. I don’t go too deep into my family. I don’t have a lot about my wife or my son. So it’s kind of the cocktail bar next to my fan page, and they kind of work together. One will be a little more business oriented, the other will be a little more fun (but also business oriented). They work pretty well together.

But to get back to the original question about where you should start. Facebook is essential, but I think Linkedin is incredibly important, even if you’re not yet published, because a lot of jobs can come to you as a writer through linked in. I’ve gotten all sorts of work from Linkedin.

And Twitter is useful. A lot of folks have a resistance to Twitter, but it is brand reinforcement. Anything that a writer does online that connects to their name is brand reinforcement. As long as the message going out is a positive one, then it’s positive brand reinforcement.

So, when I teach workshops on social media, it’s Linkedin, Facebook, and Twitter as the first wave (even before you have a book deal) then blog, and then, once you have a deal, a website. So it kind of has a tier effect. But Facebook is probably the easiest to grasp, and the others are good for fitting in that part of your audience that doesn’t overlap with Facebook. There are people who are on my Linkedin page that aren’t on Facebook. And there are people that I have on twitter who aren’t on either. But you can rig it so that with your fan page you can place one post there and it goes to Linkedin and Twitter, so you have that little cascade effect that hits everyone.


That’s our first installment.

Any thoughts, questions, or comments? Please post them below. As with all panels (virtual or real) audience feedback is vital to the discussion.

In the days to come, the virtual panel will be discussing mistakes writers should avoid when establishing a social-media presence. Keep checking back. Lots more to come!