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A World of Nightmares:
Latest Festival News and Reviews

October 21st, 2018

Two weeks after its UK Premiere at Grimmfest, Nightmare Cinema is continuing its run of successful festival screenings, winning fans and garnering strong reviews in the process.

In an earlier post, I listed some of the screenings scheduled for October and November. Since then, new screenings have been announced in Dublin, Melbourne, and New York City — all of which should (hopefully) bring us closer to a big west-coast premiere and a release to theatres and home video.

A few months ago, following Nightmare Cinema‘s world premiere at the Fantasia International Film Festival in Montreal, I posted links to some of the film’s initial reviews here and here.

At left, a banner featuring Grimmfest Guest of Honor Barbara Crampton stands at the foot of an escalator leading to the Odeon Cinema. The renovated industrial site bears a resemblance to the L.A. locations for “This Way to Egress.” (Poster: Uncle Frank Productions)

This month, as a result of Nightmare Cinema‘s prominence on the film-festival circuit, the blogosphere is again buzzing with audience reactions, making this a good time for assembling another list of reviews.

Since many of the recent screenings have been in places like Latin America, Spain, France, and Austria, some of the blurbs below are translations. All are accompanied by links to the original posts. If you are proficient in any of the languages, feel free to submit corrections in the comment section below or on Facebook and Twitter (via the buttons at the top of this page).

At right: Writer Sandra Becerril and Producer/Director/Writer Mick Garris at Macabro in Mexico. (Photo: Sergio Becerril)

So here they are, a sampling of the latest round of viewer reactions from festival screenings:

“The most notable segments are the most aware of their nature: ‘Mirari,’ a grotesque look at the culture of aesthetic surgery, directed by Joe Dante; and the first episode, a parody of slasher cinema […], which Alejandro Brugues (Juan of the Dead) directs with conviction. Also very remarkable is ‘This Way to Egress’ by David Slade (Hard Candy), shot in elegant black and white, very morbid and dreamlike.” – espinof.com

At left: Sarah Withers in Alejandro Brugues’s slasher parody “The Thing in the Woods.” (Photo: Michael Moriatis)

“‘The Thing in the Woods,’ by Alejandro Burgués, is absolutely hilarious and one of the most original […]. ‘This Way to Egress,’ by David Slade, is based on the gritty […] aesthetic to which he accustomed us in his collaborations on Hannibal and American Gods. But my personal winner would undoubtedly be ‘Mashit,’ by Ryuhei Kitamura, a story of wild exorcisms […] that is an absolute catharsis to see.’ — almasocuras.com

At right: Director Ryuhei Kitamura at a live recording of Post Mortem with Mick Garris, following Nightmare Cinema‘s World Premiere at Fantasia International Film Festival. (Photo: Julie Delisle)

“The most disturbing entry is David Slade’s surreal black-and-white chiller […], which stars Elizabeth Reaser as a mother who seems to be experiencing apocalyptic hallucinations as she passes time in a doctor’s waiting area with her two sons. The situation doesn’t improve when she finally sees Doctor Salvador (Adam Godley), who seems entirely unruffled by what she tells him. Augmented by some unsettling effects work, the resolution is genuinely nightmarish and all the more effective for being under-explained.” — Nerdly.com

Director David Slade and director of photography Jo Willems set up a shot on the waiting-room set of “This Way to Egress.” (Photo: 21st-Century Scop)

“David Slade tells the story […] of a woman on the verge of nervous collapse, whose sense of reality seems to slip away more and more. Slade blurs the boundaries between reality and fiction in an oppressive way and delivers the darkest as well as the aesthetically most impressive contribution of the film.” — Uncut Movies

At right: Director David Slade, producer Joe Russo, and A.D. Joe Moore on the set of “This Way to Egress.” (Photo: Michael Moriatis)

“‘This Way to Egress’ is the episode that stands out. This is not only because it is completely black and white and shows more dynamic images than any other episode. The at-first-glance, quite-simple behavior of the woman, who seeks help because she cannot cope, reveals in her few dialogue scenes […] a little masterpiece that I would have liked to see in feature length.” – 100 Years of Terror

A technician walks a nightmarish corridor on one of the “Egress” sets. (Photo: Joe Russo)

“An anthology of five horror shorts from some very accomplished horror directors, all linked by a quirky and interesting host. These included a body horror/plastic surgery story, possession in a corrupt Catholic school, and my personal favorite “Egress”: a heart-wrenching black-and-white short concerning a mother’s descent into depression and disassociation during a difficult time in her life.” —  Visit Manchester

“Perfect for Black Mirror fans, Nightmare Cinema is a creepy anthology that ticks every box if you take your horror with a pinch of satire, gore and a whole lot of creep.” — Fraghero.com

“Without doubt the greatest horror anthology of the past thirty years […].” – Cult of Monster

At right: Mick Garris shooting Nightmare Cinema‘s wrap-around segments in the Rialto Theatre, South Pasadena. (Photo: Michael Moriatis)

Yeah! You gotta love that last review. And the buzz is still building. For now, I’ll leave you with an interview recorded at our UK Premiere, in which I tell Grimmfest programmer Simeon Halligan a bit of the story behind the writing and development of “This Way to Egress.” Check it out, and stop back here soon for more festival news and perhaps some details about the upcoming release to theatres and home video. Until this, scop on!

Fall Premieres:
Mexico, England, Canada, Spain, Austria …

September 23rd, 2018

… a world of nightmares.

Since premiering at The Fantasia International Film Festival in July, Nightmare Cinema has gone on to screen at some of the world’s most prestigious film festivals devoted to fantasy, science fiction, and horror.

So far this month, NC has played on both sides of the Atlantic, first in a French premiere at Le Festival européen du film fantastique in Strasbourg on September 17 and then at Feratum Film Fest in Tlalpujahua, Mexico, on September 22.

Both Sandra Becerril and Mick Garris attended the Strasbourg event (see the video at the bottom of this post), and Sandra (left) was on hand in Tlalpujahua.

In the coming weeks, things are about to kick into high gear with multiple screenings already announced for England, Canada, Spain, and Austria.

Here’s how things look at the moment. (The list updates the Fall Festivals & Events post from earlier this month):

It’s an impressive line-up, and one that hopefully gets us ever closer to a greatly anticipated US premiere and a release to theaters and home video.

I’ll keep you posted. For now, check out the video below, recorded a couple weeks back at Le Festival européen du film fantastique in Strasbourg, France.

Nightmare Cinema: Fall Festivals & Events

September 16th, 2018

These are busy times for the Nightmare Cinema team.

This weekend, Mick Garris (the film’s producer and writer/director of “Dead”) and Sandra Becerril (writer of the Ryûhei Kitamura directed “Mashit”) are in Strasbourg for the film’s French premiere at FEFFS — Le Festival européen du film fantastique. The premiere will take place at a special midnight screening on Monday, September 17, with additional screenings scheduled for September 18 and 23.

Since its launch in 2008, FEFFS has become one of Europe’s most comprehensive genre events, with a focus on international fantastic films as well as thrillers, film noir, black comedies, and even video games and virtual-reality cinema.

This year, the FEFFS Guest of Honor will be John Landis, director of Animal House, The Blues Brothers, An American Werewolf in London, and Into the Night (the film that made stars of Jeff Goldblum and Michele Feiffer).

While Mick Garris and Sandra Becerril are hosting the EU premiere at FEFFS, David Slade (“This  Way to Egress”) and  Ryûhei Kitamura (“Mashit”) will be in London and Japan respectively, with David working on the upcoming season of Charlie Brooker’s Black Mirror and Ryûhei hosting the Japanese premiere of his thriller Downrange, which has been receiving strong notice since its L.A. premiere last spring. And there’s more, as some of the film’s actors and producers will be hosting a panel at Son of Monsterpalooza in Burbank.

Next month brings more premieres, with Nightmare Cinema screening in Spain and England before returning to Canada (where it had its world premiere at the Fantasia International Film Festival in July).

First up will be a UK premiere at Grimmfest in Manchester (October 4-7), where I’ve been invited to take part in a question-and-answer session following the film’s screening at the Odeon Theatre on October 6. There’s a chance that an additional guest could be joining me on stage to help celebrate the connection that “This Way to Egress” has to the Manchester-Sheffield area. More information coming soon, as I plan to blog about that connection soon and speak about it at the screening.  Please stand by!

Beginning the same week as Grimmfest, the Stiges Film Festival (October 5-14) — regarded by many as the world’s foremost film festival specializing in fantasy, horror and science fiction — will host Nightmare Cinema‘s Spanish premiere on Thursday, October 13.

Other Stiges highlights will include the Festival’s Grand Honorary Award (going to M. Night Shyamalan) and a special screening of the new 4k restoration of 2001: A Space Odyssey.

Running concurrently with Stiges, the 13th Annual Toronto After Dark Film Festival (October 11-19) will mark Nightmare Cinema’s return to Canada, where the film had its world premiere at the Fantasia International Film Festival on July 12.

It’s busy line-up indeed, and one that will enable more viewers to discover what capacity crowds in Montreal and Mexico City have already seen firsthand.

The Nightmare Cinema project has come a long way since producers, writers, and directors gathered at Xiomara on Melrose in December 2016 to celebrate the green-lighting of the film. And the excitement’s still just beginning.

Stop back soon for more updates … and for a special Grimmfest preview in which we’ll consider how the UK screening will be a homecoming of sorts for “This Way to Egress.”

Until then … scop on!

Images:

  • Above: Promotional graphics from Festival européen du film fantastique, the Japanese premiere of Ryûhei Kitamura’s Downrange, Grimmfest Film Festival, The Sitges International Fantastic Film Festival of Catalonia, and the Toronto After Dark Film Festival.
  • At right: Nightmare Cinema directors and writers gather at Xiomara on Melrose Avenue, L.A, on December 8, 2016. Pictured from left to right, front to back, are Alejandro Brugués, Ryûhei Kitamura, R.C. Matheson’s hands. Sandra Becerril, Lawrence Connolly, Mick Garris, Joe Dante.

Don’t Sleep: Nightmares are coming!

October 14th, 2017

They enter the Rialto only to have their darkest fears brought to life by The Projectionist – a ghostly figure who holds the horrifying futures of all who attend his screenings. And by the time the viewers realize the truth, escape is no longer an option. For once the ticket is torn, all fates are sealed.

That’s the premise of Nightmare Cinema, a film project that began coming together when producer-director Mick Garris first assembled his team of writers, directors, and producers in the fall of 2015.

The goal: gather some of the most exciting practitioners of dark cinema and give them free reign to create a series of short horror films, mini nightmares for the Rialto Projectionist to queue up and screen for each unlucky patron.

If you’ve been following this blog or reading the trades, you’ll recall the buzz from two years ago, starting with an official announcement at the Morbido Film Fest in Mexico, a fitting venue to unveil an international roster of talent that includes Alejandro Brugues (Cuba), Ryuhei Kitamura (Japan), David Slade (U.K.), and Sandra Becerril (Mexico). Check out the clip below, and don’t worry if you don’t speak Spanish. Most of the video is in English.

Additional announcements followed the Morbido unveiling. Some appeared here at 21st-Century Scop, others appeared in the trades. Here are a few links from Fall 2015:

After that initial buzz, further developments were kept under the radar until Mick announced the latest details at last month’s Son of Monsterpalooza in Burbank. There, accompanied by fellow directors Joe Dante and Alejandro Brugues, Mick lifted the veil on the project once again, this time announcing that it was being prepped for a 2018 release.

Following Son of Monsterpalooza, the press is once again humming with details, including the casting of Golden Globe and BAFTA Award winner Mickey Rourke as The Projectionist and Richard Chamberlain as Dr. Mirari, a key character in a segment penned by horror master Richard Christian Matheson.

Also in the news is the announcement that Cinelou Films (the development, financing, and production company behind Jennifer Aniston’s award-nominated Cake and the upcoming Iraq-war drama The Yellow Birds) has teamed with Fortitude International to coordinate the film’s release.

And just this week, at Podcast One’s Post Mortem with Mick Garris, director David Slade can be heard talking about his life in film — an impressive career that has brought us Hard Candy, 30 Days of Night, Twilight Eclipse, Hannibal, and American Gods. David and Mick cover all of those productions, and although I was pretty sure I already knew a lot about them, David managed to reveal quite a few intriguing revelations during the hour-plus podcast.

Bottomline: if you’re a fan of dark cinema, you’re going to love listening to David’s interview on Post Mortem. Give it a click. And while you’re at it, take a moment to subscribe to the series. It’s free … and the interviews are priceless.

Naturally, David also talks about This Way to Egress (a.k.a. “Traumatic Descent”) and the seventeen-year journey that finally put it in the hands of The Projectionist at the Rialto.  It’s a journey that I’ve written about in the past, covering the first ten-years in the introduction to my book This Way to Egress, and it was great hearing David recount the entire tale from his perspective,  including the recent turn of events that led to our new screenplay becoming part of Nightmare Cinema.

(BTW — That’s David and me in the above-right photo, a sureal forward-and-backward view courtesy of a conveniently-placed mirror in an L.A. bistro.)

It’s great to have things coming together on this project. I was on set for filming this past June, and a few weeks ago I screened a rough cut of the Egress segment. It was intense. Even without the final score or completed effects, I found it profoundly unsettling and moving. As David says in his Post Mortem interview: “It really surprised me how intense it was.”

As of this writing, Nightmare Cinema is moving toward a release in early 2018. But the story won’t end there. As Mick tells Simon Thompson in a recent Forbes interview, there are plans “to create more […] Nightmare Cinemas either as feature films or as a TV series.”

And so the journey will continue.

For now, there are certain to be more exciting developments as our release date approaches. When news breaks, I’ll be sure to report it here.

Until then, scop on … and stay awake for the nightmares!

Images & Videos

  • Promotional image for Nightmare Cinema.
  • Nancy Leopardi (line producer), David Slade (director), Joe Dante (director), Joe Russo (producer), Mick Garris (producer, director, writer) Ryuhei Kitamura (director), Alejandro Bruges (director). Photo taken in the Rialto Theatre. June 2017.
  • Joe Dante and Mick Garris reveal plans for Nightmare Cinema at the Morbido Film Festival. Puebla, Mexico. October 2015.
  • Joe Dante, Mick Garris, and Alejandro Brugues announce the completion of Nightmare Cinema at Son of Monsterpalooza. Burbank, CA. September 2017.
  • David Slade and Mick Garris in the Podcast One Studio. October 2017.
  • Two David Slades (frontward and backward) with The 21st-Century Scop (background, far left). November 2010.
  • The 21st-Century Scop with Mick Garris. December 2016.
  • Nightmare Cinema teaser.