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Nightmare Cinema: Fall Festivals & Events

September 16th, 2018

These are busy times for the Nightmare Cinema team.

This weekend, Mick Garris (the film’s producer and writer/director of “Dead”) and Sandra Becerril (writer of the Ryûhei Kitamura directed “Mashit”) are in Strasbourg for the film’s French premiere at FEFFS — Le Festival européen du film fantastique. The premiere will take place at a special midnight screening on Monday, September 17, with additional screenings scheduled for September 18 and 23.

Since its launch in 2008, FEFFS has become one of Europe’s most comprehensive genre events, with a focus on international fantastic films as well as thrillers, film noir, black comedies, and even video games and virtual-reality cinema.

This year, the FEFFS Guest of Honor will be John Landis, director of Animal House, The Blues Brothers, An American Werewolf in London, and Into the Night (the film that made stars of Jeff Goldblum and Michele Feiffer).

While Mick Garris and Sandra Becerril are hosting the EU premiere at FEFFS, David Slade (“This  Way to Egress”) and  Ryûhei Kitamura (“Mashit”) will be in London and Japan respectively, with David working on the upcoming season of Charlie Brooker’s Black Mirror and Ryûhei hosting the Japanese premiere of his thriller Downrange, which has been receiving strong notice since its L.A. premiere last spring. And there’s more, as some of the film’s actors and producers will be hosting a panel at Son of Monsterpalooza in Burbank.

Next month brings more premieres, with Nightmare Cinema screening in Spain and England before returning to Canada (where it had its world premiere at the Fantasia International Film Festival in July).

First up will be a UK premiere at Grimmfest in Manchester (October 4-7), where I’ve been invited to take part in a question-and-answer session following the film’s screening at the Odeon Theatre on October 6. There’s a chance that an additional guest could be joining me on stage to help celebrate the connection that “This Way to Egress” has to the Manchester-Sheffield area. More information coming soon, as I plan to blog about that connection soon and speak about it at the screening.  Please stand by!

Beginning the same week as Grimmfest, the Stiges Film Festival (October 5-14) — regarded by many as the world’s foremost film festival specializing in fantasy, horror and science fiction — will host Nightmare Cinema‘s Spanish premiere on Thursday, October 13.

Other Stiges highlights will include the Festival’s Grand Honorary Award (going to M. Night Shyamalan) and a special screening of the new 4k restoration of 2001: A Space Odyssey.

Running concurrently with Stiges, the 13th Annual Toronto After Dark Film Festival (October 11-19) will mark Nightmare Cinema’s return to Canada, where the film had its world premiere at the Fantasia International Film Festival on July 12.

It’s busy line-up indeed, and one that will enable more viewers to discover what capacity crowds in Montreal and Mexico City have already seen firsthand.

The Nightmare Cinema project has come a long way since producers, writers, and directors gathered at Xiomara on Melrose in December 2016 to celebrate the green-lighting of the film. And the excitement’s still just beginning.

Stop back soon for more updates … and for a special Grimmfest preview in which we’ll consider how the UK screening will be a homecoming of sorts for “This Way to Egress.”

Until then … scop on!

Images:

  • Above: Promotional graphics from Festival européen du film fantastique, the Japanese premiere of Ryûhei Kitamura’s Downrange, Grimmfest Film Festival, The Sitges International Fantastic Film Festival of Catalonia, and the Toronto After Dark Film Festival.
  • At right: Nightmare Cinema directors and writers gather at Xiomara on Melrose Avenue, L.A, on December 8, 2016. Pictured from left to right, front to back, are Alejandro Brugués, Ryûhei Kitamura, R.C. Matheson’s hands. Sandra Becerril, Lawrence Connolly, Mick Garris, Joe Dante.

Don’t Sleep: Nightmares are coming!

October 14th, 2017

They enter the Rialto only to have their darkest fears brought to life by The Projectionist – a ghostly figure who holds the horrifying futures of all who attend his screenings. And by the time the viewers realize the truth, escape is no longer an option. For once the ticket is torn, all fates are sealed.

That’s the premise of Nightmare Cinema, a film project that began coming together when producer-director Mick Garris first assembled his team of writers, directors, and producers in the fall of 2015.

The goal: gather some of the most exciting practitioners of dark cinema and give them free reign to create a series of short horror films, mini nightmares for the Rialto Projectionist to queue up and screen for each unlucky patron.

If you’ve been following this blog or reading the trades, you’ll recall the buzz from two years ago, starting with an official announcement at the Morbido Film Fest in Mexico, a fitting venue to unveil an international roster of talent that includes Alejandro Brugues (Cuba), Ryuhei Kitamura (Japan), David Slade (U.K.), and Sandra Becerril (Mexico). Check out the clip below, and don’t worry if you don’t speak Spanish. Most of the video is in English.

Additional announcements followed the Morbido unveiling. Some appeared here at 21st-Century Scop, others appeared in the trades. Here are a few links from Fall 2015:

After that initial buzz, further developments were kept under the radar until Mick announced the latest details at last month’s Son of Monsterpalooza in Burbank. There, accompanied by fellow directors Joe Dante and Alejandro Brugues, Mick lifted the veil on the project once again, this time announcing that it was being prepped for a 2018 release.

Following Son of Monsterpalooza, the press is once again humming with details, including the casting of Golden Globe and BAFTA Award winner Mickey Rourke as The Projectionist and Richard Chamberlain as Dr. Mirari, a key character in a segment penned by horror master Richard Christian Matheson.

Also in the news is the announcement that Cinelou Films (the development, financing, and production company behind Jennifer Aniston’s award-nominated Cake and the upcoming Iraq-war drama The Yellow Birds) has teamed with Fortitude International to coordinate the film’s release.

And just this week, at Podcast One’s Post Mortem with Mick Garris, director David Slade can be heard talking about his life in film — an impressive career that has brought us Hard Candy, 30 Days of Night, Twilight Eclipse, Hannibal, and American Gods. David and Mick cover all of those productions, and although I was pretty sure I already knew a lot about them, David managed to reveal quite a few intriguing revelations during the hour-plus podcast.

Bottomline: if you’re a fan of dark cinema, you’re going to love listening to David’s interview on Post Mortem. Give it a click. And while you’re at it, take a moment to subscribe to the series. It’s free … and the interviews are priceless.

Naturally, David also talks about This Way to Egress (a.k.a. “Traumatic Descent”) and the seventeen-year journey that finally put it in the hands of The Projectionist at the Rialto.  It’s a journey that I’ve written about in the past, covering the first ten-years in the introduction to my book This Way to Egress, and it was great hearing David recount the entire tale from his perspective,  including the recent turn of events that led to our new screenplay becoming part of Nightmare Cinema.

(BTW — That’s David and me in the above-right photo, a sureal forward-and-backward view courtesy of a conveniently-placed mirror in an L.A. bistro.)

It’s great to have things coming together on this project. I was on set for filming this past June, and a few weeks ago I screened a rough cut of the Egress segment. It was intense. Even without the final score or completed effects, I found it profoundly unsettling and moving. As David says in his Post Mortem interview: “It really surprised me how intense it was.”

As of this writing, Nightmare Cinema is moving toward a release in early 2018. But the story won’t end there. As Mick tells Simon Thompson in a recent Forbes interview, there are plans “to create more […] Nightmare Cinemas either as feature films or as a TV series.”

And so the journey will continue.

For now, there are certain to be more exciting developments as our release date approaches. When news breaks, I’ll be sure to report it here.

Until then, scop on … and stay awake for the nightmares!

Images & Videos

  • Promotional image for Nightmare Cinema.
  • Nancy Leopardi (line producer), David Slade (director), Joe Dante (director), Joe Russo (producer), Mick Garris (producer, director, writer) Ryuhei Kitamura (director), Alejandro Bruges (director). Photo taken in the Rialto Theatre. June 2017.
  • Joe Dante and Mick Garris reveal plans for Nightmare Cinema at the Morbido Film Festival. Puebla, Mexico. October 2015.
  • Joe Dante, Mick Garris, and Alejandro Brugues announce the completion of Nightmare Cinema at Son of Monsterpalooza. Burbank, CA. September 2017.
  • David Slade and Mick Garris in the Podcast One Studio. October 2017.
  • Two David Slades (frontward and backward) with The 21st-Century Scop (background, far left). November 2010.
  • The 21st-Century Scop with Mick Garris. December 2016.
  • Nightmare Cinema teaser. 

Bi-Coastal Weekend: Stories & Nightmares

September 23rd, 2017

Writers do most their traveling at home. It’s inward travel, exploring memory and imagination in the creation of stories that might one day enter the real world as published stuff.

But sometimes the draw of outside events cuts through the reverie, and that’s the way it was last weekend when I had writing-related gigs popping on both coasts: a guest of honor appearance at the Milford Festival on the east … and Son of Monsterpalooza on the west.

Held in the Marriott Burbank Convention Center, Son of Monsterpalooze is an offshoot of Monsterpalooza, an annual event for fans of film, makeup, special effects, collectible toys, art, and (of course) monsters! 

One of the major events at this year’s SoP was the much-anticipated preview of the new horror anthology film Nightmare Cinema. Conceived by Mick Garris and featuring some of the biggest names in horror, the film centers on an aberrant projectionist (played by Micky Rourke) who screens films for the lost souls who come to his theatre.

Nightmare Cinema tells five tales of terror in very distinct, individual styles. Cuban director Alejandro Brugués (Juan of the Dead) writes and directs “The Thing in the Woods”; Japanese auteur Ryuhei Kitamura (Midnight Meat Train) directs “Mashit,” written by Mexican author and filmmaker Sandra Becerril; Joe Dante (Gremlins and The Howling) directs “Mirari,” written by Richard Christian Matheson; Mick Garris (Masters of Horror and The Stand) writes and directs “Dead”;  and Brit David Slade (Hannibal and 30 Days of Night) directs “This Way to Egress,” which is based on my short story “Traumatic Descent” and filmed from a script co-written by David and me. What a team!

The photo above was taken last year at an L.A. reception for the film’s writers and directors. Look closely and you’ll see that Richard Christian Matheson is hiding behind Alejandro Brugués. He’s there but not there, which is sort of the way I attended last weekend’s Nightmare Cinema preview, there in spirit while the rest of me took part in the science-fiction track of the Milford Readers and Writers Festival.

Milford’s main events centered on live performances, including a Saturday night readings hosted by Christine Cohen and Will Reeve of the Virginia Kidd Agency.

Held on the second floor of the Dimmick Inn, the sf readings featured Shirley Jackson Award finalist Robert Levy (The Glittering World), Nebula-Award finalist Paul Witcover (Tumbling After), two-time Hugo Award Winner John Grant (The Encyclopedia of Fantasy), and the 21st-Century Scop himself. The event was well attended, which you can see in the photo of Robert Levy. (That framed picture beside him is actually a mirror reflecting the event’s SRO audience.)

After the reading, I joined Will Reeve on the balcony for an impromptu jam session. After that, all that remained was the grand finale — a science fiction panel at The Milford Theatre (see photo at the top of this post).

A heartfelt thanks to all who came out to make the event memorable, and especially to Lillian Longendorfer, who put the science-fiction-and-fantasy track together. I’m ready to do it again.

So that’s the broad strokes. In the days ahead, I try posting more on the forthcoming film and the Milford Festival events. Until then … scop on!

Images:

  • Gordon Van Gelder, Paul Witcover, the 21st-Century Scop, John Grant, and Robert Levy on stage at the Milford Theatre.
  • Joe Dante, Mick Garris, and Alejandro Brugués on stage at Son of Monsterpalooza.
  • Mick Garris, Joe Dante, Sandra Becerril, The 21st-Century Scop, Richard Christian Matheson (hiding), Alejandro Brugués, and Ryuhei Kitamura gather in L.A. to celebrate the green-lighting of Nightmare Cinema, December 2016. 
  • Christine Cohen and Will Reeve hold signs for the Science Fiction and Fantasy readings at the historic Dimmick Inn.
  • Robert Levy reading at the Dimmick.
  • The 21st-Century Scop and Will Reeve jam on the Dimmick balcony.
  • Title image from the Nightmare Cinema teaser.