UK Premiere:
Nightmare Cinema & “This Way to Egress”

October 7th, 2018

I first read Traumatic Descent – Larry Connolly’s short story that would be adapted into “This Way to Egress” 17 or 18 years ago.

Soon after I worked with my dear friend Charly Cantor on ideas to adapt the story into a feature-length film which Charly would write. I loved Charly like a brother and he passed away in 2002 leaving a gaping hole in me.

I would describe the story as a dark but benign fog that infiltrated my subconscious. It resonated for me in ways that took all of this time to become clear.

I’m grateful to Mick Garris and most of all to Larry for allowing me to complete part of this project. It does not fill any part of the hole but it helps.

David Slade, director of “This Way to Egress”

Saturday was the day it all came full circle, some 18-years after two young filmmakers from Sheffield reached out to this American writer to begin work on a project that became “This Way to Egress.”

In the Q&A session that followed our UK premiere, I got the chance to unpack the journey in more detail – first in responding to questions from festival director Simeon Halligan and then in conversations with the audience.

Along the way, I was able to able to acknowledge the debt that both David and I owe to Charly Cantor, so much so that I felt his presence. It was – as I predicted it would be in an earlier post – like coming home.

The day of our premiere also provided the opportunity to discuss Nightmare Cinema and “Egress” at length in a couple of recorded interviews – one with the website FilmDaddy.com and the other with Simeon Halligan (above left) for the festival’s video feed. Both should be available soon.

There was even some time for ice-breaking, where  I got the chance to throw axes at targets courtesy of an establishment called Whistled Punks. My friendly competitors in the event included Witch in the Window director Andy Mitton and festival director Rachel Richardson-Jones (right). That’s us, posing like ax-wielding superheroes even though it was Horror Channel director Stewart Bridle and Grimmfest photographer Kenneth James who proved to be the true ax-tossing masters.

Grimmfest continues apace, wrapping up tonight with an awards reception and the much-anticipated Christmas-themed-zombie-fest Anna and the Apocalypse. I’ve heard good things about that one.

Nightmare Cinema’s next festival appearances will include screenings in Stiges, Toronto, Nottingham, Sheffield, Leeds, Dublin,  Vienna, and beyond. It’s all part of what we might call the Nightmare Cinema World Tour … so there’s sure to be much more news in the days ahead. Be sure to check back soon. And don’t sleep. Nightmares are coming.

Images:

  • The projected backdrop for the Nightmare Cinema Q&A session at Grimmfest. The photograph is from the “Mashit” episode, directed by Ryuhei Kitamura and written by Sandra Becerril.
  • The 21st-Century Scop in a video interview with festival director Simeon Halligan.
  • Standing tall with fellow ax throwers Andy Mitton and Rachel Richardson-Jones at Whistle Punks.
  • Witch in the Window director Andy Mitton wields an ax.

 

  1. This entry was posted on Sunday, October 7th, 2018 at 12:22 pm and is filed under 21st-Century Scop. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response or trackback from your own site.


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